BOSS 980000 ÀÂãã´SoundCollectionPointfºobjectRepresented:location:lastViewRectangle:lastIconSize:ÀÂãã¯SoundCollectiona¬name:sounds:”SoundCollection65469ÀÂãä±OrderedCollectionab€dÀÂããªSoundPointa»objectRepresented:location:ÀÀÂãã´AbstractedSoundClassuµname:structureSound:icon:smallIcon:useFancyIcon:parameterSpecifications:classDescription:shouldExpandFirst:ioProfile:’BadWolf OscillatorÀÂããªStereoMix4 x°name:left:right:in1:pan1:scale1:in2:pan2:scale2:in3:pan3:scale3:in4:pan4:scale4:‹BadWolf_OSCaaÀÂãã©Crossfaden£name:pan:scale:snd1:snd2:fade:type:ƒSumêëÀÂãã¥Mixeroªname:inputs:left:right:retrograde:reverse:‰BasicOSCAÀ*bÀÂãã¯SuperOscillatormºname:frequency:wavetable:modulation:modulator:maxMI:interpolation:envelope:pitchBend:reset:formant:index:fromMemoryWriter:AÀÂãã¬LazyVariablea¥name:WaveA_Frequencyç?AliasA_Buffer & ?VoiceNumber¤noneÀÂããConstantSoundn«name:value:ˆConstant`|¦lineara`À-…Reseta`ãÀÂãã¬MemoryWritere¦name:input:captureDuration:global:cyclic:recordingName:silent:trigger:”write into wavetableÀÂããGeneralFilter r£name:input:type:frequency:q:scale:feedback:order:maximumUpdateRate:›Filter based on FundamentalÀÂãã¿CrossfadingMulticycleOscillatorn*…WaveAç((SignalProcessor sampleRate / 4096.0) hzÀ-ŠWavetableA2À47``8a``aÀ-…WaveAä§lowPassçw(SignalProcessor halfSampleRate / (?WaveA_Frequency) hz removeUnits) * (SignalProcessor sampleRate / 4096.0) hz * 0.75`a`À-Alias_DampingäÀÂãäTimeInSamplesaa€`äãç?AliasA_Buffer & ?VoiceNumberãaaaääÀ"%À*bÀ(BÀ-WaveB_Frequencyç?AliasB_Buffer & ?VoiceNumber2À47`|8a`9a`ãÀÀ€€Àà N` H`HpH0UL0UH0UH0 UHp¢h`à€€€Àø<?øÀ``aaÀÂãä±MonoMappedPalette rg€äÀÂãä©WordArraya`€l``````âÀÂãä¥Arraya`€ddddab`aadÀ,À0`à0†!BAAAAj+T@ 0àppaaÀÂãä±KymaMappedPaletteaf€äÀ8lz{z{z{ffffffâÀ?À.ïêåbcïåx ma•Name of anti-alias buffer for OSC A. Polyphony featuers already embedded so no need to add VoiceNumber to file name.À)Alias_Damping77À.ïåcgêïaåbc’This controls the filter order of the Anti-Alias filter. Expects a whole number. À)¯WaveA_Frequency¬hotFrequency7À.ïééïåbaåbaƒThe frequency can be specified in units of pitch or frequency. The following are all ways to specify the A above middle C: 440 hz (in hertz or cycles per second) 4 a (as the 4th octave A) 69 nn (as a MIDI notenumber) 4 c + 9 nn (as 9 half steps above middle C) 1.0 / 0.00227273 s (inverse of a period at 44.1 kHz sample rate) The following are examples of how to control the frequency using MIDI, the virtual control surface, or a third-party program: !Pitch (key number plus pitch bend) !KeyNumber nn (MIDI notenumber) 4 c + (!Frequency * 9 nn) (continuous controller from 4 c to 4 a)À)«BadWolfSync67À.ïêêïåbcåbcBadWolf sync is 'sync' implementation. Wavetable B is scanned using Wavetable A as an index. À)¥WaveB67À.ïåbaåbaïêê›If you have a multicycle sample selected as the Wavetable, then this is an integer that selects which 4096-sample waveform to play. An index of 0 selects the first waveform. If the index is less than 0, it selects the 0th waveform (the first in the wavetable). If the index is larger than the number of waveforms within the wavetable, it selects the last waveform in the wavetable. If the wavetable has been set up such that the first waveform has the first harmonic, the second waveform has the first two harmonics, the third waveform has the first three harmonics, etc., then (SignalProcessor halfSampleRate hz / !KeyPitch hz) - 1 will select the waveform with the largest number of harmonics that will not alias. When you change the Index, the Oscillator continues reading at the current phase in the new cycle. If the waveforms are similar, you should be able to change the Index mid-Cycle without introducing a click due to the discontinuity.À)¥Reset67À.ï`êïåbaåbcWhen reset is changed from a 0 to any nonzero number, the phase of the Oscillator is reset to zero. This means that the Oscillator jumps back to the beginning of the cycle.À)467À.ïêåbaïåbcêŸOutputs the difference of A & BÀ)©OSCSumMix67À.ïåbc`ïëåbamixes the balance of the sum.À)¥WaveA67À.ïéåbaïåbaê›If you have a multicycle sample selected as the Wavetable, then this is an integer that selects which 4096-sample waveform to play. An index of 0 selects the first waveform. If the index is less than 0, it selects the 0th waveform (the first in the wavetable). If the index is larger than the number of waveforms within the wavetable, it selects the last waveform in the wavetable. If the wavetable has been set up such that the first waveform has the first harmonic, the second waveform has the first two harmonics, the third waveform has the first three harmonics, etc., then (SignalProcessor halfSampleRate hz / !KeyPitch hz) - 1 will select the waveform with the largest number of harmonics that will not alias. When you change the Index, the Oscillator continues reading at the current phase in the new cycle. If the waveforms are similar, you should be able to change the Index mid-Cycle without introducing a click due to the discontinuity.À)AliasB_Buffer>?À.ïåx måbcïåbca•Name of anti-alias buffer for OSC B. Polyphony featuers already embedded so no need to add VoiceNumber to file name.À)¯WaveB_Frequency27À.ïåba`ïêåbaƒThe frequency can be specified in units of pitch or frequency. 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In general, the higher the order of the filter, the sharper the cutoff, and the more real-time computation required.À)127À.ïééïåbaåbaƒThe frequency can be specified in units of pitch or frequency. The following are all ways to specify the A above middle C: 440 hz (in hertz or cycles per second) 4 a (as the 4th octave A) 69 nn (as a MIDI notenumber) 4 c + 9 nn (as 9 half steps above middle C) 1.0 / 0.00227273 s (inverse of a period at 44.1 kHz sample rate) The following are examples of how to control the frequency using MIDI, the virtual control surface, or a third-party program: !Pitch (key number plus pitch bend) !KeyNumber nn (MIDI notenumber) 4 c + (!Frequency * 9 nn) (continuous controller from 4 c to 4 a)À)867À.ïêêïåbcåbcBadWolf sync is 'sync' implementation. Wavetable B is scanned using Wavetable A as an index. À)£Min67À.ïê`ïåbcåba€À)>67À.ïåbaåbaïêê›If you have a multicycle sample selected as the Wavetable, then this is an integer that selects which 4096-sample waveform to play. An index of 0 selects the first waveform. If the index is less than 0, it selects the 0th waveform (the first in the wavetable). If the index is larger than the number of waveforms within the wavetable, it selects the last waveform in the wavetable. If the wavetable has been set up such that the first waveform has the first harmonic, the second waveform has the first two harmonics, the third waveform has the first three harmonics, etc., then (SignalProcessor halfSampleRate hz / !KeyPitch hz) - 1 will select the waveform with the largest number of harmonics that will not alias. When you change the Index, the Oscillator continues reading at the current phase in the new cycle. If the waveforms are similar, you should be able to change the Index mid-Cycle without introducing a click due to the discontinuity.À)$67À.ï`êïåbaåbcWhen reset is changed from a 0 to any nonzero number, the phase of the Oscillator is reset to zero. This means that the Oscillator jumps back to the beginning of the cycle.À)467À.ïêåbaïåbcêŸOutputs the difference of A & BÀ)567À.ïéåbaïåbaê›If you have a multicycle sample selected as the Wavetable, then this is an integer that selects which 4096-sample waveform to play. An index of 0 selects the first waveform. If the index is less than 0, it selects the 0th waveform (the first in the wavetable). If the index is larger than the number of waveforms within the wavetable, it selects the last waveform in the wavetable. If the wavetable has been set up such that the first waveform has the first harmonic, the second waveform has the first two harmonics, the third waveform has the first three harmonics, etc., then (SignalProcessor halfSampleRate hz / !KeyPitch hz) - 1 will select the waveform with the largest number of harmonics that will not alias. When you change the Index, the Oscillator continues reading at the current phase in the new cycle. If the waveforms are similar, you should be able to change the Index mid-Cycle without introducing a click due to the discontinuity.À);>?À.ïåceåbcïåbca€À)!27À.ïåba`ïêåbaƒThe frequency can be specified in units of pitch or frequency. The following are all ways to specify the A above middle C: 440 hz (in hertz or cycles per second) 4 a (as the 4th octave A) 69 nn (as a MIDI notenumber) 4 c + 9 nn (as 9 half steps above middle C) 1.0 / 0.00227273 s (inverse of a period at 44.1 kHz sample rate) The following are examples of how to control the frequency using MIDI, the virtual control surface, or a third-party program: !Pitch (key number plus pitch bend) !KeyNumber nn (MIDI notenumber) 4 c + (!Frequency * 9 nn) (continuous controller from 4 c to 4 a)À)£Max67À.ïåbc`ïëåba€À)'>?À.ïåbaåbcïêa€ŠVariation on the BadWolf Oscillator with Min / Max realtime computations. ãÀ4aa27äÀ9•BlaidGwael OscillatorÀ>áe !À.ïonï{ %Àáa>ìâ`a`8äãäãâäâÀ 1âÀ 5z`z`t`i`!&À6â4`aâ8a9âaaä#ãaÀáa>ìâ`a`8äãäãâäâÀ 1âÀ 5t`z`n`i`ƒMax&À6â/`aâ8a9âaaäæMaxãcÀáa>ìâ`a`8äãäãâäâÀ 1âÀ 5n`z`h`i`ƒMin&À6â +`aâ8a9âaaäæMinãbÀáa>ìâ`a`8äãäãâäâÀ 1âÀ 5````z`z`6&À6â8`aâ8a9âabä:ãq;âîâ<À>áa>ìâ`a`8äääãâäâÀ 1âÀ 5h`z`b`i`'&À6â5`aâ8a9âaaä)ãgÀáa>è`câ`a8äãäãâäâÀ 1âÀ 5b`z`|`i`.&À6â1`aâ8a9âaaä0ãfÀáa>èzgâ`p`8äãäãâäâÀ 1âÀ 5|`z`v`i`5&À6â>`aâ8a9âaaä7ãhÀáa>ìâ`a8äãäãâäâÀ 1âÀ 5v`z`p`i`<&À6â!`aâ8a9âaaä>ãeÀáa>èzgâ`p`8äãäãâäâ>À :â =â•BlaidGwael OscillatorâÀ<`ïojÀ<`&åx 'dŸcore:Applications:Kyma:wavetables:synthblocks:ppg-wavetable.aifƒaaad0::7:#)ƒbbb>3Ÿcore:Applications:Kyma:wavetables:synthblocks:ppg-wavetable.aifïfÀ.ÀÀ3ŽBlaidGwael LFOÀ8BlaiddGwael_LFOaaÀ34À&…WaveA,*2À4<``8a`9a-äÀ")À*bÀ(,<ç?BG_Buffer & ?VoiceNumber2À4<`|8a`9a`ãÀ<>À&2ç((SignalProcessor sampleRate / 4096.0) hz%2À4<``8a``a(äÀ4`äãç?BG_Buffer & ?VoiceNumberãaaaääê7À9<À3>À" À*bÀ9#&êêã2À9%+êêã2aaääÀ'*À3,89aaã8ê-À90À"2À*bÀ"5À*bÀ98&êêã2À9:+êêã2aaääÀ'<À3>!"aaääaaã8ê?À" "&8&ç?BG_Buffer & ?VoiceNumberç#(0 )ãê)À,À0`À?øø>À€€À|8àBD`B@`B@pB@0LL0BD0BD0BDpBD`|8à€€€Àø<?øÂwEeEG``aa3adÀ,À0`à0†!BAAAAj+T@ 0àppaa )adäÀ? 2 5À)127 !ƒThe frequency can be specified in units of pitch or frequency. The following are all ways to specify the A above middle C: 440 hz (in hertz or cycles per second) 4 a (as the 4th octave A) 69 nn (as a MIDI notenumber) 4 c + 9 nn (as 9 half steps above middle C) 1.0 / 0.00227273 s (inverse of a period at 44.1 kHz sample rate) The following are examples of how to control the frequency using MIDI, the virtual control surface, or a third-party program: !Pitch (key number plus pitch bend) !KeyNumber nn (MIDI notenumber) 4 c + (!Frequency * 9 nn) (continuous controller from 4 c to 4 a)À)867 &BadWolf sync is 'sync' implementation. Wavetable B is scanned using Wavetable A as an index. À) +67 , /À)©BG_Buffer>?À.ïåcgêïaåbc€À)>67 1›If you have a multicycle sample selected as the Wavetable, then this is an integer that selects which 4096-sample waveform to play. An index of 0 selects the first waveform. If the index is less than 0, it selects the 0th waveform (the first in the wavetable). If the index is larger than the number of waveforms within the wavetable, it selects the last waveform in the wavetable. If the wavetable has been set up such that the first waveform has the first harmonic, the second waveform has the first two harmonics, the third waveform has the first three harmonics, etc., then (SignalProcessor halfSampleRate hz / !KeyPitch hz) - 1 will select the waveform with the largest number of harmonics that will not alias. When you change the Index, the Oscillator continues reading at the current phase in the new cycle. If the waveforms are similar, you should be able to change the Index mid-Cycle without introducing a click due to the discontinuity.À)$67 6When reset is changed from a 0 to any nonzero number, the phase of the Oscillator is reset to zero. This means that the Oscillator jumps back to the beginning of the cycle.À)467 ;ŸOutputs the difference of A & BÀ)567 ›If you have a multicycle sample selected as the Wavetable, then this is an integer that selects which 4096-sample waveform to play. An index of 0 selects the first waveform. If the index is less than 0, it selects the 0th waveform (the first in the wavetable). If the index is larger than the number of waveforms within the wavetable, it selects the last waveform in the wavetable. If the wavetable has been set up such that the first waveform has the first harmonic, the second waveform has the first two harmonics, the third waveform has the first three harmonics, etc., then (SignalProcessor halfSampleRate hz / !KeyPitch hz) - 1 will select the waveform with the largest number of harmonics that will not alias. When you change the Index, the Oscillator continues reading at the current phase in the new cycle. If the waveforms are similar, you should be able to change the Index mid-Cycle without introducing a click due to the discontinuity.À)!27*ƒThe frequency can be specified in units of pitch or frequency. The following are all ways to specify the A above middle C: 440 hz (in hertz or cycles per second) 4 a (as the 4th octave A) 69 nn (as a MIDI notenumber) 4 c + 9 nn (as 9 half steps above middle C) 1.0 / 0.00227273 s (inverse of a period at 44.1 kHz sample rate) The following are examples of how to control the frequency using MIDI, the virtual control surface, or a third-party program: !Pitch (key number plus pitch bend) !KeyNumber nn (MIDI notenumber) 4 c + (!Frequency * 9 nn) (continuous controller from 4 c to 4 a)À)/6703À)'>?58‰LFO version of the BlaidGwael oscillator.ãÀ4aa27äÀ9ŽBlaidGwael LFOÀ>ád %Àáa>ìâ`a`8äãäãâäâÀ 1âÀ 5z`z`t`i`!1À6â4`aâ8a9âaaä#ãaÀáa>ìâ`a`8äãäãâäâÀ 1âÀ 5t`z`n`i`11À6â/`aâ8a9âaaä3ãcÀáa>ìâ`a`8äãäãâäâÀ 1âÀ 5n`z`h`i`81À6â +`aâ8a9âaaä:ãbÀáa>ìâ`a`8äãäãâäâÀ 1âÀ 5````z`z`61À6â8`aâ8a9âabä:ãq;âîâ<À>áa>ìâ`a`8äääãâäâÀ 1âÀ 5h`z`b`i`'1À6â5`aâ8a9âaaä)ãgÀáa>îâ`a8äãäãâäâÀ 1âÀ 5b`z`|`i`.1À6â1`aâ8a9âaaä0ãfÀáa>èzgâ`p`8äãäãâäâÀ 1âÀ 5|`z`v`i`51À6â>`aâ8a9âaaä7ãhÀáa>èáaaâ`a8äãäãâäâÀ 1âÀ 5v`z`p`i`<1À6â!`aâ8a9âaaä>ãeÀáa>èzgâ`p`8äãäãâäâ>À :â =âŽBlaidGwael LFOâÀ<` 8À<`&åx 'dŸcore:Applications:Kyma:wavetables:synthblocks:ppg-wavetable.aif0::ˆbgbuffer7:#)>3„core:Applications:Kyma:wavetables:synthblocks:prophet5_wavetable.aifïceÀ.ÀÀ3‹BadWolf LFOÀ8‹BadWolf_LFOaaÀ=ƒSumêëÀ&…WaveA,*2À4<``8a`9a-äÀ"6À*bÀ(B<ç?BW_Buffer & ?VoiceNumber2À4<`|8a`9a`ãÀ<>À&2ç((SignalProcessor sampleRate / 4096.0) hz%2À4<``8a``a(äÀ4`äãç?BW_Buffer & ?VoiceNumberãaaaää-/ê0À34,/ê7À:‡ProductÀ*b,/ääê?À" ",8&ç?BW_Buffer & ?VoiceNumberç#(0 )ãê)À,À0`À?øø>À€€Àà N` H`HpH0UL0UH0UH0 UHp¢h`à€€€Àø<?øÀ¸((8``aa3adÀ,À0`à0†!BAAAAj+T@ 0àppaa )adäÀ? #À)1273ƒThe frequency can be specified in units of pitch or frequency. The following are all ways to specify the A above middle C: 440 hz (in hertz or cycles per second) 4 a (as the 4th octave A) 69 nn (as a MIDI notenumber) 4 c + 9 nn (as 9 half steps above middle C) 1.0 / 0.00227273 s (inverse of a period at 44.1 kHz sample rate) The following are examples of how to control the frequency using MIDI, the virtual control surface, or a third-party program: !Pitch (key number plus pitch bend) !KeyNumber nn (MIDI notenumber) 4 c + (!Frequency * 9 nn) (continuous controller from 4 c to 4 a)À)8679BadWolf sync is 'sync' implementation. Wavetable B is scanned using Wavetable A as an index. À)>67?›If you have a multicycle sample selected as the Wavetable, then this is an integer that selects which 4096-sample waveform to play. An index of 0 selects the first waveform. If the index is less than 0, it selects the 0th waveform (the first in the wavetable). If the index is larger than the number of waveforms within the wavetable, it selects the last waveform in the wavetable. If the wavetable has been set up such that the first waveform has the first harmonic, the second waveform has the first two harmonics, the third waveform has the first three harmonics, etc., then (SignalProcessor halfSampleRate hz / !KeyPitch hz) - 1 will select the waveform with the largest number of harmonics that will not alias. When you change the Index, the Oscillator continues reading at the current phase in the new cycle. If the waveforms are similar, you should be able to change the Index mid-Cycle without introducing a click due to the discontinuity.À)$67%When reset is changed from a 0 to any nonzero number, the phase of the Oscillator is reset to zero. This means that the Oscillator jumps back to the beginning of the cycle.À)467*ŸOutputs the difference of A & BÀ)/670mixes the balance of the sum.À)5676›If you have a multicycle sample selected as the Wavetable, then this is an integer that selects which 4096-sample waveform to play. An index of 0 selects the first waveform. If the index is less than 0, it selects the 0th waveform (the first in the wavetable). If the index is larger than the number of waveforms within the wavetable, it selects the last waveform in the wavetable. If the wavetable has been set up such that the first waveform has the first harmonic, the second waveform has the first two harmonics, the third waveform has the first three harmonics, etc., then (SignalProcessor halfSampleRate hz / !KeyPitch hz) - 1 will select the waveform with the largest number of harmonics that will not alias. When you change the Index, the Oscillator continues reading at the current phase in the new cycle. If the waveforms are similar, you should be able to change the Index mid-Cycle without introducing a click due to the discontinuity.À)©BW_Buffer>?À.ïåcgêïëåbc€À)!27"ƒThe frequency can be specified in units of pitch or frequency. The following are all ways to specify the A above middle C: 440 hz (in hertz or cycles per second) 4 a (as the 4th octave A) 69 nn (as a MIDI notenumber) 4 c + 9 nn (as 9 half steps above middle C) 1.0 / 0.00227273 s (inverse of a period at 44.1 kHz sample rate) The following are examples of how to control the frequency using MIDI, the virtual control surface, or a third-party program: !Pitch (key number plus pitch bend) !KeyNumber nn (MIDI notenumber) 4 c + (!Frequency * 9 nn) (continuous controller from 4 c to 4 a)À)'>?(+À)-67.˜Outputs the sum of A & B”LFO version of the BadWolf oscillator. LFO versions has anti-alias filters removed.ãÀ4aa27äÀ9‹BadWolf LFOÀ>ád %Àáa>ìâ`a`8äãäãâäâÀ 1âÀ 5l`z`y`i`!/À6â4`aâ8a9âaaä#ãbÀáa>ìâ`a`8äãäãâäâÀ 1âÀ 5 f`z` r`i`(/À6â/`aâ8a9âaaä*ãâÀáa>íâ`a`8äãäãâäâÀ 1âÀ 5y`z` f`i`//À6â5`aâ8a9âaaä1ãcÀáa>ìâ`a`8äãäãâäâÀ 1âÀ 5````l`z`6/À6â8`aâ8a9âabä:ãq;âîâ<À>áa>ìâ`a`8äääãâäâÀ 1âÀ 5 r`z`~`i` /À6â-`aâ8a9âaaä"ãaÀáa>ìâ`a`8äãäãâäâÀ 1âÀ 5~`z`k`i`'/À6â5`aâ8a9âaaä)ãgÀáa>íâ`a8äãäãâäâÀ 1âÀ 5k`z`w`i`./À6â1`aâ8a9âaaä0ãfÀáa>è}uâ`h`8äãäãâäâÀ 1âÀ 5w`z`d`i`5/À6â>`aâ8a9âaaä7ãhÀáa>èábaâ`a8äãäãâäâÀ 1âÀ 5d`z`p`i`</À6â!`aâ8a9âaaä>ãeÀáa>è}uâ`h`8äãäãâäâ>À :â =â‹BadWolf LFOâÀ<` 8À<`&åx 'd1Ÿcore:Applications:Kyma:wavetables:synthblocks:ppg-wavetable.aif0:7:#*)ˆbwbuffer>‘ppg-wavetable.aif"ïfeï``À.ï|zïtcd