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noise+oscil->VOICE;c?soundEditorLayout>lNoise qname:initialState:pink:(a`SuperOscillator}name:frequency:wavetable:modulation:modulator:maxMI:interpolation:envelope:pitchBend:reset:oscilHotAndLazyMessageSendareceiver:message:LowFreqMessageabselector args hz>`glottalnoneConstantSoundnname:value:Constant``lineara```Vocoder qname:input:sideChain:timeConstant:nbrBands:bankSize:inputLevel:sideLevel:lowCF:highCF:inFreq:sideFreq:bw:pitch:loCutoff:hiCutoff:rolloff:6Vocoder;b?replaceableInput2voice/alien threata2a6{ maFrequencyInHertzaascalar `?"$'(fo*cVCSEventSourceComponentumicrosound:layout:label:look:concreteEvent:displayType:presets:id:minimum:maximum:grid:taper:noDice:showNumber:LayoutFrameahleft leftFraction top topFraction right rightFraction bottom bottomFraction ``````ba`aBandwidth/2;`ConcreteEventdshash name minimum maximum grid taper sourceChannel displayType mapper eventSourceChannel voiceNumber isNoteEvent eventValue isEventValueDirectly id addressOnProcessor initialValue inverseScale maxOverMin cMIDIController74`a!afaderNoNumberab Bandwidthk>{ttttttttttttttttttttttttttt`aFader;f?growlyx u?driftingx ?violin voicewa?music voicexu?-aa?almost intelligiblexmk`a`!9=`ba```aa`aLowFreq!$ |LowFreq`a!afaderaa3d>{dddddddddddddddddddddd{vj g u`a+;f?.ui?0c}?2u w?4c}?-v s?7``d`h`!9=`bc````a`aTimeConstant!$hTimeConstant`a!a=aa TimeConstanta>{{{{{{{{{{{{{{{{{{{{{{{{{{{j`a+;f?.wc?0wc?2wc?4wg?-we?7wmae  wti`!./2;`Vocoder>`(|m>`Crossfadenname:pan:scale:snd1:snd2:fade:type:noise&oscilaaa*& Noisiness!DynamicRangeControllernname:sideChain:input:type:ratio:threshold:attackTime:releaseTime:delay:gain:voice++expanderFractionabnumerator denominator aj}e6ao6{ m6aoa0+5*>a6calvaLevelFrequencyInPitchaascalar 4vaa)4|4xa` `:`+`?*+?"$'(i d*f9=`cc`'ad`aa`aNoisiness/2;`$Noisiness`a!a=aa?c>{tttttttttttttttttttttttos ` f`a+;e?intelligibleww?background`a?mechanoidxg?mysterioustm?-aac`a`!9=````'ad`ca`aBandwidth/2;`$MIDIController12`a!a=aa)m>{eeeeeeeeeeeeeeeeeeeeeeeeejraa`a+;e?*x}?,x ?.xa?0xa?-aam`a`!9=`ba`'ad`cc`aLowFreq6;+;e?*u o?,``?.uy?0uy?-aad`h`!9=`aa`'ad`ce`aTimeConstant6)+;e?*wq?,wg?.w k?0w  s?-|eae  wti`!9=`ca`'ad`ba`aLevel6$Level`a!a=aa2b>{````````````````````````` n `a+;e?*wu?,`a?.w g?0aa?-aab`a`!VCSAnnotationComponent{microsound:layout:label:look:presets:Capybara33SingleSuperMicrosoundamstart stop sound preorderLabelBits ordinal auxiliaryMicrosound address size terminateList slotAssignment offProcessorConnections superMicrosound outputAddress d`  `=6Annotation;b?$%?*+#&;>aaaNoEnvelopeOscillator}-.1;:;<`!a``&%! 6ScaledEventdchash event scale )calva937aa889aThis vocoder has a mix of Noise plus an Oscillator modulated by the Input.``=```````a`'ad;/2;`;`-6Cross Vocoder noise+oscil->VOICE*a5(m>`";(~~.SumOfSines kname:onDuration:frequency0:frequency1:analysis0:analysis1:dBMorph:pchMorph:nbrPartials:bankSize:timeIndex:gate:loop:loopStart:loopEnd:ctrlTime:envelope:6Morph bass to car horn;b?$?"$'(| ~*a9=``````ca`aMorph/2;`$MIDIController23`a!a=aaMorphx>{w g g g g g g g wm q `r`a+;a?-rx`a`!-6Morph bass to car horn*`(rm>`6ae1`1`Ranasaurus:Desktop Folder:Kyma 5:Spectra:transport:car horn2 s128Ranasaurus:Desktop Folder:Kyma 5:Spectra:music:bass and drum90 s256::p`00Index5/>ab5->aaa`aaa( p g.Monotonizernname:input:frequency:minInputPitch:maxInputPitch:6Freq/TimeScale-Monotonize KBD;c?$>d=Annotation892karsten honey pie/Karsten Honey Piea6{ m6{ madefaultPlay the MIDI keyboard to impose a new pitch on the monotonized input.`<`?*:?"$'(mv*a9=`````a`a`MIDIPitchBend/2;`$ tMIDIPitchBend`a!anothinga PitchBenda>{yyyyyyyyyyyyyyyyyyyyyyyyyya``aNothing;a?-``a`a`!-+Freq/TimeScale-Monotonize KBD*`(cm>`:KeyPitch1x1 p(hs.26Disk-bass loop;a?"$'( do*`-/2;`Disk-bass loop>`(zm>`/bass and drum110a2a6{ ma1`(~w.26Disk-Singing voice;b?$?"$' $*`- &Disk-Singing voice>` *>`/kurd2a2a6{ ma1`( uw.=6Freq/Time Scaling-Pete Autochord;c?$>p2GenericSource2RAMRanasaurus:Desktop Folder:Kyma 5:Samples:Singing:MSDOSa2a6gca1``GeneralFilternname:input:type:frequency:q:scale:feedback:order:reduce DC offset'pink noise} ohighPass1j`FunctionGenerator sname:trigger:onDuration:wavetable:reverse:fromMemoryWriter:envKeyDown0000 KeyNumber58>`5inverse>`5/>aLegato5vmax:>a6~ kGaussian`d`PitchShifterzname:input:freqTracker:frequencyScale:maxScale:window:delay:shift up third!6Limiter140;a?* ) ) )compressorhy {6}e6aa6}eaFrequencyDetectorzname:input:minFrequency:maxFrequency:confidence:scale:detectors:emphasis:freq 64d4hy m| mjaKymaParameterStringbstring:specials:units:bindings:((((((( L * SignalProcessor halfSampleRate) hz nn)removeUnits ) +24.5) - ((!Pitch )removeUnits) ) mod:12 )+0) of: #({5/4} {(6/5)} {(4/3)} {(5/4)} {(6/5)} {(5/4)} {(6/5)} {(4/3)} {(5/4)} {(6/5)} {(5/4)} {(6/5)});a?h ?bhann2`` ?aHarmonicResonatornname:input:frequency:decayTime:brightness:wavetable:prezero:scale:6HarmonicResonatorKBD141;a?* 5 00 #5nn>`000Decay5max:>a{ m5s>`5/>aj`Private KeyVelocity` 26shift up fifth;a?"$'( sf*a9=`````a`a`MIDIPitchBend/2;`$ t.`a!a/a0a>{yyyyyyyyyyyyyyyyyyyyyyuu g g b``a2;a?-``a`a`!- 4shift up fifth>`(im>` 6 ? '((((((( L * SignalProcessor halfSampleRate) hz nn)removeUnits ) +24.5) - ((!Pitch )removeUnits) ) mod:12 )+0) of: #({1.5} {(5/3)} {(5/3)} {(5/3)} {(8/5)} {(5/3)} {(8/5)} {(5/3)} {(5/3)} {(8/5)} {(5/3)} {(8/5)});a?h ?bhann2``StereoMix4 xname:left:right:in1:pan1:scale1:in2:pan2:scale2:in3:pan3:scale3:in4:pan4:scale4:6live, root, 3d, 5th;a?"$'(oe*a9=`````a`a`MIDIPitchBend/2;` 62;b?hide my flaws``?-``a`a`!-/2;`live, root, 3d, 5th>`(em>`aa )aaa 1aaa 6aaa /`aaa` 6`?* )?"$(nm(qq*d9=`````a`aPitchBend/2;` 62;a?-`a`a`!9=````'ad`ca`aDecay'$xDecay`a!a=aa >a>{hhhhhhhhhhhhhhhhhhhhhhbuupp`a+;a?-aaa`a`!9=`ca`'ad`ba`aLegato'$ uLegato`a!a=aa +b>{ooooooooooooooooooooooiz}`a+;a?-aab`a`!#'a`  `=6Annotation;a?*2 * +Karsten Honey Piea2a6gca1`%(aa 2 *!6 8;a?*$$$ ;hy { < = >a  #+ $ %y m| mjaIndexIntoArrayEventdchash event array EventDifferencedchash left right 5OffsetEventdchash event offset 8:LogTwoEventdbhash event 8SoundToEventAdapterdfhash sound left right rate duration /a`abnkbcaq$MIDIKeyPitch`a!a/aaPitch`>{}}}}}}}}}}}}}}}}}}}}}}}}}m~``a8TruncatedEventdbhash event EventProductdchash left right 8:ConditionalExecutionEventddhash event trueValue falseValue 8EventConstantdbhash event wa;wax     ul>lac'ec'ec'ec'he'ec'he'ec'ec'he'ec'heb"#aaa 2 5+/155:8: 8%/a`abnkbcaq(8.2.:7.;wa;wax     ul>l'ed'fe'dc'ed'fe'ed'fe'dc'ed'fe'ed'feb - .aaa+aaa 0 3 1 4 5 7 8` : =$MIDIKeyDown`a!a/MIDIMapperqname:input:map:left:right:channel:source:midiFile:polyphony:lowPitch:highPitch:script:shared:6 %;a?*$=2%(aa 2 *+/ ' ?;a?h/b"#aaa 2 5+/ ' *;a?h/b - .aaa+aaa /`aaaAutochorder created by Pete Johnston. Uses the pitch you play on the MIDI keyboard as the root. Compares the pitch of the input against this root and picks a 3rd and a 5th that will harmonize the input with the root. Works best on voice (or other monophonic) inputs.KymaCodeString pstring:bindings:BindingListadtally valueArray basicSize hashMask `aaMIDIInputmidiFilea4`4!&`aa >`+``a6EventMaxdchash left right q2 tInverseEventdbhash event a$aMIDIKeyNumber`a!a/.aa #`+``a8;e~ k 0`d4:68s2s/;k{ mj` '$MIDIKeyVelocity`a!a/.aa (`+``a`aaa?``=```````a`'ad?/2;`;`-'Freq/Time Scaling-Pete Autochord*b, .(gm>`$?(jv.(6Freq/TimeScaling-BPM ctrl Resynth duration;c?$?soundEditorBoundingBoxRectangleaborigin corner (ae(ig?"$'( do*b9=``````ca`aBPM/2;`$ v"`a!a=aaBPMa>{jjjjjjjjjjjjjjjjjjjjjjdz q ks`a+;b?balit q?-s ya`p`!9=`ca```ba`aMorph#$9`a!a=aa:x>{~~~~~~~~~~~~~~~~~~~~~~xs o un``a+;b?*`a?-``x`a`!-#Freq/TimeScaling-BPM ctrl Resynth duration*`(zm>`000&5bpm>`5 #>`5/>ah1`1`Ranasaurus:Desktop Folder:Kyma 5:Spectra:music:bass1 s512Ranasaurus:Desktop Folder:Kyma 5:Spectra:music:bali1 s256::tdefault00)5/>ab5->aa(1 bpm: !BPM) triggerEvery: 8`abc( lt.(6Morph Carla Cat KBD;b?$?"$(nm( |~*b9=````l`p`Morph/2;`$9`a!a=aa:x>{~~~~~~~~~~~~~~~~~~~~~~xs o unaa`a+;a?-aax`a`!9=`````a`a`MIDIPitchBend/2;`$ t.`a!a/a0a>{yyyyyyyyyyyyyyyyyyyyyyuu g g b``a2;a?-``a`a`!-=Morph Carla Cat KBD*`(cm>`6t c99aou-carla hcat h::``` >`aa(k b.NestedOscillatorBanksnname:nbrOscillators:bankSize:wavetable:spectrum:6Morph dominic to carla;b?$>jWarpedTimeIndexyname:idealTimePoints0:idealTimePoints1:currentTimePoints:trigger:rate:morph:index1>o6  6{i6zm6xi6y k6y a6w{6x c6x 6vw6uy6x u6v m6vw6w  g#>o6`  {6y g6yi6x g6y 6va6x a6wq6x i6ua6v y6w  }6w c6u g6w g1 bpm: 60.0/1.480275da``SOSEnvelopesdname:frequency:level:timeIndex:analysis:nbrPartials:firstPartial:spect21`a>Ranasaurus:Desktop Folder:Kyma 5:Spectra:speech:dom-in a manner h`a`?index1>o$%&'()*+,-./012->o$%&'()*+,-./0121 bpm: 60.0/1.480275da``%spect11`a+carla-in a manner h`a`Interpolate |name:input1:input2:leftInterp:rightInterp:crossSpects0$::`?"$'(| ~*a9=``````ca`a5/2;`$9`a!a=ab:x;``a+;a?-``x`a`!-?Morph dominic to carla*`(rm>```Sine4(z e.SuperSample gname:frequency:gate:sample:setLoop:loopStart:loopEnd:loopFade:reverse:start:end:fromMemoryWriter:attackTime:releaseTime:scale:6RAM-whispers;a?"$'(en*b9=``r`i`g`Length/2;`$zLength`a!a=aaLengtha>{uuuuuuuuuuuuuupkkkkkkkkkffn`aHorizontal Fader;e?grainlikeu c?forwards`a?clicksaa?-a?backwards`aaaa`!9=````i`r`Start9$ nMIDIController26`a!a=aaStart{>{zuuuuuuuuuppz``a?;e?"``?$``?&aa?-`?)``{`a`!"/2;`RAM-whispers*`({m>`)default * (2 * ( 0.5 - (!Length le: 0)))ac:\kyma5d99\waves\samples\speech\nothing2.aif/0/5+>a0=5abs>``a6}e6{ ma(|f.=6Live freq ctrl disk rate;c?$>hStereoMix2 xname:left:right:in1:pan1:scale1:in2:pan2:scale2:6Live freq ctrl rate of Disk playback;b?*UnmodulatedOscillator}-6controlling freq;a?"$(|d(y t*`-/2;`controlling freq*`(}d>`*(1 repeatingTriangle: 5 s) * 24 nn + 48 nnSine;=Constant``!{ m``?"$(nm(iq*a9=``````ca`aAmpOfController/2;`$tAmpOfController`a!a=aaAmpOfControllera>{~~~~~~~~~~~~~~~~~~vvvvvvtps`a+;a?-xqa`a`!-/2;`Live freq ctrl rate of Disk playback*a$'(ig*`-/2;`string instrument>`(m>`(gm>`aa26string instrument;a?""/Ranasaurus:Desktop Folder:Kyma 5:Samples 3rd party:Sounds Good:New World Order:saz121a2a6| ma 'default *  L * 100;a?k freqTrak93 c5 cy m} mj`a`a9a:`-`9 `9`?*9?"$!(iq*a9456$t9`a!a=aa:a;`a+;a?-xqa`a`!-/2;`Live freq ctrl disk rate>`(md>`1The frequency of the input controls the rate of disk playback. Works best with monophonic inputs.(a e.26Morph-Hrp Voice KBD;b?$>d(6harp to ah;a?"$!(y t*`-/2;`harp to ah>`(}d>`6ag**c:\Kyma5d99\Waves\Spectra\music tones\aou-carla h.SPCc:\Kyma5d99\Waves\Spectra\music tones\CeltHrp4a h.SPC0a5->a0 >5ramp:>a6ac0a5->a0 >5+>a6a``00)5/>ab5->aa >`aa `DelayWithFeedbackname:type:input:scale:feedback:delay:delayScale:wavetable:prezero:interpolation:smoothDelayChanges:DelayWithFeedback10comb5`aaa6baaPrivate;`?"$'(y t*a9=`````a`a`MIDIPitchBend/2;`$ t.`a!a/a0a>{yyyyyyyyyyyyyyyyyyyyyyuu g g b``a2;a?-``a`a`!-/2;`Morph-Hrp Voice KBD*a:(gm>`aa5`a;aa(s b.,6RAM-random looping cephlaphage;a?"$'( c u*b9=``````ca`a"/2;`$ v"`a!a=aa&a>{vvvvvvvvvvvvvvvvvvvvvvpla{b`a+;a?-pa`p`!9=`ca```ba`aRate"$MIDIController24`a!a=aaRatey>{qqqqqqqqqqqqqqqqqqqqqqqllf y`a`a+;a?-`ay`b`!-"RAM-random looping cephlaphage*`(ym>` '!Rate * default * (2 * ( L ge: 0) - 1);a?z=Random [-1,1](1 bpm: !BPM) nextRandomaalien threat ' L smoothed;a?a=Random [0,1](1 bpm: !BPM) nextRandom abs '( L +  L abs) smoothed;b?i=:(1 bpm: !BPM) nextRandom?b="(1 bpm: !BPM) nextRandom abs`a6}e6{ ma(af.ScaledUp~name:input:left:right:6RAM-random BPM loopLength;c?$>|26Punchy Waveshaper102;b?*,6SampleWithLiveLoop;a?"$'(zr*a9=```` f`d`"/2;`$ v"`a!a=aa&e>{ d d d d d d d d d d d d d d d d d d d d d dyoe |`a+;a?-tme`p`!-/2;`SampleWithLiveLoop>`(pm>`(default * (1 bpm: !BPM) nextRandom sign(1 bpm: !BPM dutyCycle: 0.99)Macintosh HD:LA 2000:Samples:Crispy clicky:celophane pitches 2(1 bpm: !BPM) nextRandom42 ** (((1 bpm: !BPM) countTriggersMod: (8)) negated)`a6}e6{ ma?"$'(zr*b9(")++-e`p`!9= f```z`d`Amp/2;`$ rAmp`a!a=aaAmpd>{jtjpf`a+;a?-`ad`a`!-$Punchy Waveshaper102>`(pm>`AmplitudeScaledz4attenNonlinearProductnname:nonlinearInput:input:scale:wavetable:Multiply by waveshaped amp envAmplitudeFollowernname:input:attackTime:releaseTime:scale:amp env?6z m6xma?acompressionCurve2p1((umum`a0a5->aBypass`6` ka ';`0`?`!hi 1> 1200: 71p`a`d2 ;d-40 dB6ao6{ m6ao00High5/>ab5/>a0a5->a.`4`1orig:..` 1BandPassFilter 1> 150: 71v`a`d%1p`a`d`a0a5->a.`6boa ';`2`'`9`Mixeroname:inputs:left:right:retrograde:reverse:hi mid lo remix>d0+!#aa`#`?*?"$'(zr*f9=`ca`'ad`ba`a")++-e`p`!9=````'ad`ca`a#$&+*d`a`!9=`ba`'ad`cc`aHigh/2;`$bHigh`a!a=aa;a>{vvvvvvvvvvvvvvvvvvvvvvpla{g`a+;a?-`aa`a`!9=`aa`'ad`ce`aMid *$ jMid`a!a=aa.c>{ddddddddddddddddddddddczoir`a+;a?-xcc`a`!9=`cc`'ad`aa`aLow *$ oLow`a!a=aa(b>{}}}}}}}}}}}}}}}}}}}}}}|shbx`a+;a?-`ab`a`!9=``````ca`'adBypass *$MIDIController44`a!agateaa.m>{jjjjjjjjjjjjjjjjjjjjjjdzuon``aButton;a?-``m`a`!- *RAM-random BPM loopLength*b=$(pm>`5bb( f.26RAM-celophane loop;a?"$7( |~*`-/2;`RAM-celophane loop*`(rm>` +Macintosh HD:LA 2000:Samples:Crispy clicky:celophane pitchesa2a6| madefault(jg.26RAM-bass drum BPM;b?$?"$'(nn*a9=``````ca`a"/2;`$"`a!a=aa&a>{jjjjjjjjjjjjjjjjjjjjjjdzuonx`a+;a?-xa`p`!- 3RAM-bass drum BPM*`(dm>` +Ranasaurus:Desktop Folder:Kyma 5:Samples 3rd party:Drum Tools:bass drum:bass drum 1 1 bpm: !BPM2a6cadefault(vf.AnalogSequencerMapperqname:input:retrograde:left:right:gate:step:rate:loop:startIndex:endIndex:polyphony:durations:dutyCycles:pitches:velocities:extraValues:6Sequencer-nested;c?$>x %7 1Filter136Mixer1*cInterpolatingWaveshaper }name:input:interpolation:shapeFrom:shapingFunction:coefficients:fromMemoryWriter:Waveshaper8GASynthesismname:timeIndex:analysis0:analysis1:envelope:frequency:morph:GAOscillators2 :timeIndex >6z mFullRampRanasaurus:Desktop Folder:Kyma 5:Other analysis files:GA:bass:bass 1B GARanasaurus:Desktop Folder:Kyma 5:Other analysis files:GA:bass:bass 1B GAa*`!wavetablesine>c``` 56Waveshaper8;a?"$'(| ~*`-/2;`Waveshaper8>`(rm>` :GAOscillators2 >Ranasaurus:Desktop Folder:Kyma 5:Other analysis files:GA:bass:bass 2Fs GARanasaurus:Desktop Folder:Kyma 5:Other analysis files:GA:bass:bass 2Fs GAa*`! $ %>c``` :6GAOscillators2;a?"$'(| ~*`-/2;`GAOscillators2>`(rm>` >Ranasaurus:Desktop Folder:Kyma 5:Other analysis files:GA:bass:bass 1B GARanasaurus:Desktop Folder:Kyma 5:Other analysis files:GA:bass:bass 1B GAa*`AREnvelopeGeneratornname:attackTime:releaseTime:type:scale:gate:AR32a6e!0x }5/>a ( >*% ' L * 5000 hz + 500 hz;a?aADSREnvelopeGeneratorfname:attackTime:decayTime:sustainLevel:releaseTime:type:scale:gate:legato:filter opening10 ms6c{ m6aaexponentialFilter >`aaa/0.75 * (1 repeatingRamp: (31 s * (240.0/!BPM)))daaaa0&5/>a|`!7 * (1 - (1 repeatingRamp: 16 s))b#(1 )#(0.5)L#(!Base {!Base + 3} {!Base - 7} {!Base + 12 - !Top} {!Base + 7} {!Base + 5})3#(!sw09 !sw10 !sw11 !sw12 !sw13 !sw14 !sw15 !sw16 ) #(#( !Frequency 1000 500 750 ) )` 'b :b 9` /` 5`8{ %10.6667 -aaaa0cc5/>a0&5%>a|`ga#(1 )#(0.5 0.5 0.5)#(24 26 28 29)#(1 1 1)#(#( !Top 2 4 6 7 ) )`*b 1~ >` 4b?* 1?"$'(| ~*n9=```x`u`"/2;`$ v"`a!a=aa&a>{ttttttttttttttttttttttnjxo`aPotentiometer;a?-twa`p`!9=t` {`m` p`sw11!$MIDIController41`aa!atoggleaasw11j>{||||||||||||||||||||||}rhc ba`aToggle;a?-xj`a`!9=g` {` a` p`sw13!$ksw13`aa!a-aasw13d>{tje s`a0;a?-xd`a`!9= a` {` {` p`sw14!$vsw14`aa!a-aasw14e>{ d d d d d d d d d d d d d d d d d d d d d d dyoj x`a0;a?-xe`a`!9=m` {`g` p`sw12!$MIDIController42`aa!a-aasw12k>{zzzzzzzzzzzzzzzzzzzzzzzle` g``a0;a?-``k`a`!9= {` {` t` p`sw15!$ esw15`aa!a-aasw15f>{ i i i i i i i i i i i i i i i i i i i i i i i~to }`a0;a?-aaf`a`!9=`` {`z` p`sw09!$MIDIController39`aa!a-aasw09h>{nnnnnnnnnnnnnnnnnnnnnnodzu sa`a0;a?-aah`a`!9= t` {`n` p`sw16!$psw16`aa!a-aasw16g>{ n n n n n n n n n n n n n n n n n n n n n n n cytk`a0;a?-xg`a`!9=z` {`t` p`sw10!$MIDIController40`aa!a-aasw10i>{uuuuuuuuuuuuuuuuuuuuuuvka| |a`a0;a?-xi`a`!9= w`l`n`f`Base!$ |Base`a!a/qbBaseb>{aaaaaaaaaaaaaaaaaaaaaaawmhr`a2;a?-`mb`a`!9= ~`v`n` l`Top!$ dTop`a!a/acTopc>{hhhhhhhhhhhhhhhhhhhhhhh~tog`a2;a?-aac`a`!9= e```n` {`Filter!$ qFilter`a!a=aa!i>{ s s s s s s s s s s s s s s s s s s s s s s s j~yg`a+;a?-`ai`a`!9=`````a`a&!$ d.`a!q/q0 a>{ x x x x x x x x x x x x x x x x x x x x x x x q c~r`a2;a?-` a`a`!9=````h` {`Volume!$MIDIController07`a!a=aaVolumeh>{jjjjjjjjjjjjjjjjjjjjjjjee naa`a+;a?-aah`a`!-!Sequencer-nested*b , ?(rm>`-77aa0|  g5/>a0&5%>abo`ga#(1 )#(0.5 0.5 0.5)#(24 26 28 29)#(1 1 1)#(#( !Base 45 42 47 ) )(wa.=6Spatialize-5 CHAN PAN;c?$>t1Attenuator26filtered + ring modulated;a?"$!(y t*`-/2;`filtered + ring modulated*`(}d>`aa 148th order AllPass2DiskTrackMono190/garage door close1 bpm: (11 s bpm removeUnits)2a1 ha1`allPass4|(0.1 * (0.25 s random abs) smooth: 0.25 sa`paaa2Gain11SingleSideBandRMnname:input:frequency:freqScale:SingleSideBandRM1$4|60 nn hz + (0.03 hz) / 60 nn hzjjaaa0000000Radius5/>a00000a5->aAngle5smoothed>`5wrapTo02>`5into:>a>o(bgbg(acw m(bex s(bcxm(baym(baba(aaw s(bcv s(bevm(bgwm(bibi(aeu m(bkv  s(bmv m(bou s5normCos>`5->axi5squared>`5!>a000>5/>a00000a5->a(5*>`5->`50>a>o(bgbg(acw m(bex s(bcxm(baym(baba(aaw s(bcv s(bevm(bgwm(bibi(aeu m(bkv  s(bmv m(bou s5normSin>`5->ay a5(>`5sqrt>`5cos>`5clipTo01>`0000000>5/>a00000a5->a(5*>`5->`50>a>o(bgbg(acw m(bex s(bcxm(baym(baba(aaw s(bcv s(bevm(bgwm(bibi(aeu m(bkv  s(bmv m(bou s5#>`5->axo5(>`5!>a000>5/>a00000a5->a(5*>`5->`50>a>o(bgbg(acw m(bex s(bcxm(baym(baba(aaw s(bcv s(bevm(bgwm(bibi(aeu m(bkv  s(bmv m(bou s5/>`5->ax5(>`56>`59>`5<>``1Attenuator40000000>5/>a00000a5->a(5*>`5->`50>a>o(bgbg(acw m(bex s(bcxm(baym(baba(aaw s(bcv s(bevm(bgwm(bibi(aeu m(bkv  s(bmv m(bou s5#>`5->ay a5(>`5!>a000>5/>a00000a5->a(5*>`5->`50>a>o(bgbg(acw m(bex s(bcxm(baym(baba(aaw s(bcv s(bevm(bgwm(bibi(aeu m(bkv  s(bmv m(bou s5/>`5->axi5(>`56>`59>`5<>`0000>5->aa5<>`5/>aaa5#>``=zero``StereoOutput8nname:out12:out34:out56:out78:6Spatialize-5 CHAN PAN (junky spaceship);b?*4?"$'( do*b9=````h`o`Angle/2;`$Angle`a!a=aa(a>{vvvvvvvvvvvvvvvvvvvvvvplazy`a%;e?left``?front centeraa?backaa?-aa?right`aaaaac`!9=``o` m`y`Radius/2;`$Radius`a!a=aa>b>{}}}}}}}}}}}}}}}}}}}}}}|sha``a?;e?`a? x}?-aa?#x}bbb`!-5Spatialize-5 CHAN PAN (junky spaceship)*a9(zm>`1Attenuator40000000>5/>a00000a5->a(5*>`5->`50>a>o(bgbg(acw m(bex s(bcxm(baym(baba(aaw s(bcv s(bevm(bgwm(bibi(aeu m(bkv  s(bmv m(bou s5#>`5->ax w5(>`5!>a000>5/>a00000a5->a(5*>`5->`50>a>o(bgbg(acw m(bex s(bcxm(baym(baba(aaw s(bcv s(bevm(bgwm(bibi(aeu m(bkv  s(bmv m(bou s5/>`5->ax w5(>`56>`59>`5<>`0000000>5/>a00000a5->a(5*>`5->`50>a>o(bgbg(acw m(bex s(bcxm(baym(baba(aaw s(bcv s(bevm(bgwm(bibi(aeu m(bkv  s(bmv m(bou s5#>`5->ax5(>`5!>a000>5/>a00000a5->a(5*>`5->`50>a>o(bgbg(acw m(bex s(bcxm(baym(baba(aaw s(bcv s(bevm(bgwm(bibi(aeu m(bkv  s(bmv m(bou s5/>`5->axo5(>`56>`59>`5<>`2:$`$`0`.`6`"`4`?*4?"$!(y t*c93457%;e?<``?>aa? aa?-aa?#`aaaaac`!9%&')?;e?`a? x}?-aa?#x}bbb`!#'d`  `=6Annotation;b?$1?*4'*174ClipTo01Eventdbhash event CosineEventdbhash event 8SqrtEventdbhash event EventSumdchash left right 2:2)2IndexIntoBreakpointFunctionEventdehash event breakpoints reference stateAddress WrapTo02Eventdbhash event EventSmoothddhash left right address :NegatedEventdbhash event 7a;~ kh>o/0123456789:;<=kx w?2:2)2#'+:07a;~ kp>o(bgbi(acwm(bevm(bcv s(baw s(baba(aaw s(bcv s(bevm(bgw m(bibg(aeu m(bkv  s(bmv m(bou sxx w6y  c.287;2:2)2#'+:07a;~ km>o+,-./0123456789px 52:2)2#'+:07a;~ ku>o(bgbi(acwm(bevm(bcv s(baw s(baba(aaw s(bcv s(bevm(bgw m(bibg(aeu m(bkv  s(bmv m(bou sxxo y  c134.287;2:2)2#'+:07a;~ kw>o3456789:;<=>? !zxi 2:2)2#'+:07a;~ k>o(bgbi(acwm(bevm(bcv s(baw s(baba(aaw s(bcv s(bevm(bgw m(bibg(aeu m(bkv  s(bmv m(bou sby a +y  c.287;2:2)2#'+:07a;~ kr>o56789:;<=>? !"#}xo *2:2)2#'+:07a;~ ku>o(bgbi(acwm(bevm(bcv s(baw s(baba(aaw s(bcv s(bevm(bgw m(bibg(aeu m(bkv  s(bmv m(bou shx 5y  c1;4.287;2:2)2#'+:07a;~ kw>o3456789:;<=>? !zy a 52:2)2#'+:07a;~ k e>o(bgbi(acwm(bevm(bcv s(baw s(baba(aaw s(bcv s(bevm(bgw m(bibg(aeu m(bkv  s(bmv m(bou s txi y  c28.:)aaa$ When Radius = 1, Angle controls the pan position: 0 is hard left 1 is hard right 0.5 is straight ahead >1 or negative is behind you When Angle = 0.5, Radius controls how far away it is: 1 is right where the speakers are >1 is beyond the speakers <1 is inside the speakers 0 is right on top of you Negative numbers are behind you``=``y`y` v`=/2;`;`-?Spatialize-5 CHAN PAN*b/9(}d>`&=(y}.=6Spatialize-stereoToSurround;c?$>r1halfScale26DiskTrackStereo;a?"$'(mo*`-/2;`DiskTrackStereo>`(cm>`/Ranasaurus:Desktop Folder:Kyma 5:Samples 3rd party:Forced Media:Nirto processed Carlaa2a6{ ma1`0aa5/>aVol0aa5/>a%`2rightSur1rightMinusLeftDifferencelname:input:minusInput:Right Channel - Left Channel 1R-HPFChannellernname:input:leftChannel:rightChannel:Right Channel Only. 71p`a`d 1L-HPF5Left Channel Only. 71p`a`dSurR?bb`1leftMinusRight.Left Channel - Right Channel:2SurL$`<`Output8nname:out1:out2:out3:out4:out5:out6:out7:out8:6Spatialize-Stereo to Surround;b?*0?"$'(j ~*h9=````'ab`v  m`aCenter/2;`$Center`a!a=aaCentere>{ d d d d d d d d d d d d d d d d d d d d d d dyoj}qw`a+;a?-qwe`a`!9=`t  m`'ab``a`aSurR5$SurR`a!a=aa?d>{tjezq}`a+;a?-q}d`a`!9=`s  m`'ab`t  m`aSurL5$SurL`a!a=aa$c>{ddddddddddddddddddddddczohjr`a+;a?-rc`a`!9=`u  m`'ab`s  m`aright5$#`a!a=aarightb>{}}}}}}}}}}}}}}}}}}}}}}|shazq}`a+;a?-q}b`a`!9=`v  m`'ab`u  m`aleft5$<`a!a=aalefta>{vvvvvvvvvvvvvvvvvvvvvvplazopo`a+;a?-poa`a`!9=``````v     u`'abBass/2;`$Bass`a!a=aaBassg>{ n n n n n n n n n n n n n n n n n n n n n n n cyt taa`a+;a?-aag`a`!9=`v     u```u     u`'abSub%$Sub`a!a=aaSubf>{ i i i i i i i i i i i i i i i i i i i i i i i~tosaa`a+;a?-aaf`a`!9=`u     u````a`'abVol%$Vol`a!a=aa%h>{ s s s s s s s s s s s s s s s s s s s s s s s h~y yx o`a+;a?-x oh`a`!-%Spatialize-Stereo to Surround>`(`m>`2Left1Left:==bb2Right1Right244bb2leftSur bb)2ctr6monoMix>b:299bb2sub6SubBass>b 1LowPassFilter2Gain1atten.))jj%1h`a`d.33bb=null`?`.`+`"`4`?`<`$`2`3`0`-`:`(`&`5`8`,`*`0`:`?*0?"$!(j t*i9=`ca`'ad`ba`a457+;a?-qwe`a`!9=`bc`'ad`cg`a 5!+;a?-q}d`a`!9=`ce`'ad`bc`a)5*+;a?-rc`a`!9=`cc`'ad`aa`a253+;a?-q}b`a`!9=`ba`'ad`cc`a;5<+;a?-poa`a`!9=````'ad`ca`a$%'+;a?-aag`a`!9=`aa`'ad`ce`a0%1+;a?-aaf`a`!9=`cg`'ad``a`a:%;+;a?-x oh`a`!#'b`  `=6Annotation;c?$>r&6*;b?*262;a?"$'6*`-8DiskTrackStereo>`<>`/>a? a!?"$'/*h9245$8`a!a=aa9e:qw`a+;a?-qwe`a`!9> 5$"`a!a=aa?d#q}`a+;a?-q}d`a`!9')5$+`a!a=aa$c,r`a+;a?-rc`a`!9025$#`a!a=aa4b5q}`a+;a?-q}b`a`!99;5$<`a!a=aa=a>po`a+;a?-poa`a`!9"$%$(`a!a=aa)g*aa`a+;a?-aag`a`!9.0%$2`a!a=aa3f4aa`a+;a?-aaf`a`!98:%$<`a!a=aa%h=x o`a+;a?-x oh`a`!-%Spatialize-Stereo to Surround>`">`2%1' 1;5=1/:"& 7>`a`d==bb2)1+ 1358- 79`a`d44bb2-1!.#+0$$bb2*1,.10+??bb2/61>b+099bb2466>b 192;1=-))jj%>`a`d-33bb= `!`8`6`4`1`!` `)`;`9`7`?`.`*`<`>`2`/`+`-`5`3`0`,`:`?*:?"$!$*i9'45'+;a?-qwe`a`!9, 5++;a?-q}d`a`!91)5/+;a?-rc`a`!96253+;a?-q}b`a`!9;;57+;a?-poa`a`!9 $%;+;a?-aag`a`!9%0%?+;a?-aaf`a`!9*:%#+;a?-x oh`a`!#/=```````a`'adTakes a live stereo input and splits it into 5 speakers for pseudo-surround./2;`;`-/2;`Spatialize-stereoToSurround*b$>(nd>`&72%1' 1;5=1/:8#aa8#aa 7>`a`d77bb2)1+ 13580 79`a`d33bb2-1!.#.5//bb2*1,.15.++bb2/61>b.5''bb2466>b 192;1=0;;jj%>`a`d0??bb!!!``?!/2;`;`-%'*b.5)>`%Takes a live stereo input and splits it into 5 speakers for pseudo-surround. (The default input is a stereo file produced by Nirto Karsten Fischer at his Forced Media studios). You can play stereo CDs through this Sound to split them into 5 channels.( |}.&6Spatialized Sequencer-nested & layered (5);c?$>n :GAOscillators2 :timeIndex >6z mFullRampGigasaurus:Kyma 4.5 Folder:Wavetables:GA:bass:bass 2Fs GAaou 3A GA (*``66SubBass213;a?* %6bass mix;a?"$'(| ~*m9=```````a`'cg"/2;`$"`a!a=aa&a>{ttttttttttttttttttttttnjxdtw`a+;a?-twa`p`!9=`ba`'fg`cc`asw11,$,`aa!a-aa.j/a`a0;a?-xj`a`!9=`aa`'fg`ce`asw13,$7`aa!a-aa8h>{ n n n n n n n n n n n n n n n n n n n n n n n ck pa`a0;a?-xh`a`!9=`ce`'fg`bc`asw14,$ `aa!a-aa!i>{ s s s s s s s s s s s s s s s s s s s s s s s ht lwa`a0;a?-xi`a`!9=`cc`'fg`aa`asw12,$)`aa!a-aa*k+a`a0;a?-``k`a`!9=`bc`'fg`cg`asw15,$2`aa!a-aa3j>{ x x x x x x x x x x x x x x x x x x x x x x x m} s~a`a0;a?-aaj`a`!9=````'fg`ca`asw09,$;`aa!a-aa<h=a`a0;a?-aah`a`!9=`cg`'fg``a`asw16,$$`aa!a-aa%k>{ } } } } } } } } } } } } } } } } } } } } } } } tf zea`a0;a?-xk`a`!9=`ca`'fg`ba`asw10,$-`aa!a-aa.i/a`a0;a?-xi`a`!9=`````a`aBase,$6`a!a/qb7d>{ d d d d d d d d d d d d d d d d d d d d d d dy y fbaa`a2;a?-aud`a`!9=`aa`'cg``a`'fgLegato,$9`a!a=aa +g>{t } {o w`a+;a?-aag`a`!9=`````a`aTop,$?`a!a/ac f>{ i i i i i i i i i i i i i i i i i i i i i i i~p ziaa`a2;a?-`gf`a`!9=````'cg`aa`'fgBass,$(`a!a=aa)e>{hhhhhhhhhhhhhhhhhhhhhhh~~ vvw {`a+;a?-x  ie`a`!-,bass mix>`(rm>` %10.6667 %7 1Filter136Mixer1*c 5Waveshaper8 :GAOscillators26Gigasaurus:Kyma 4.5 Folder:Wavetables:GA:bass:bass 1B GAaou 3A GA (*`! $ %>c``` 56Waveshaper8;a?"$'(| ~*`-/2;`Waveshaper8>`(rm>`4! $ %>c``` :6GAOscillators2;a?"$'(| ~*`-/2;`GAOscillators2>`(rm>`6bass 1B GAaou 3A GA (*`+AR32a6e!x } >!% ' L * 5000 hz + 500 hz;a?a9filter opening10 ms6c{ m6aa a >`aaa/0.75 * (1 repeatingRamp: (31 s * (240.0/!BPM)))daaaa0&5%>a|`!7 * (1 - (1 repeatingRamp: 16 s))b#(1 )#({0.9 * !Legato + 0.1} )L#(!Base {!Base + 3} {!Base - 7} {!Base + 12 - !Top} {!Base + 7} {!Base + 5})3#(!sw09 !sw10 !sw11 !sw12 !sw13 !sw14 !sw15 !sw16 ) #(#( !Frequency 1000 500 750 ) )aaaa0cc5/>a0&5%>a|`ga#(1 )#(0.5 0.5 0.5)#(24 26 28 29)#(1 1 1)#(#( !Top 2 4 6 7 ) )))aa0|  g5/>a0&5%>abo`ga#(1 )#(0.5 0.5 0.5)#(24 26 28 29)#(1 1 1)#(#( !Base 45 42 47 ) )*b 1LowPassFilter2Gain1atten!33jj% 0.5 * 500 hz`a`d!aa`AbstractedSoundClassmname:structureSound:icon:smallIcon:parameterSpecifications:classDescription:shouldExpandFirst:EuverbRight6CombSumRight*ha77LazyVariablea&Cutoff5/>a p58>``?Reverb`b`ax s17.65 msaPrivate;`ax s13.90 msaPrivate;`ax s10.96 msaPrivate;`ax s8.62 msaPrivate;`ax s6.80 msaPrivate;`ax s5.3 msaPrivate; 1/42.3 ms76{ m5!>a77?Decay5/>aj5 #>`x  sPrivateba`a`6 ms * 2 ?DiffusionPrivate;a77;5/>aj5 #>`x  sPrivateba`a` 7.5 ms * 2 ?DiffusionPrivate;a77;5/>aj5 #>`x  sPrivateba`a` 9.13 ms * 2 ?DiffusionPrivate;a77;5/>aj5 #>`0.7 Privateba`a` 11.7 ms * 2 ?DiffusionPrivate;a77;5/>aj5 #>`x  sPrivateba`a` 14.3 ms * 2 ?DiffusionPrivate;a77;5/>aj5 #>`x  sPrivateba`a` 12.14 ms * 2 ?DiffusionPrivate;a77;5/>aj5 #>`x  sPrivateba`a` 10.11 ms * 2 ?DiffusionPrivate;1Attenuator282?Direct:aa"8`<""<$>"``p0000p`<``aaKymaMappedPaletteafhasColor palette inverseMap mapResolution size depth WordArraya`l~{~{~{``````>ddddfbaad"8`  ppaa>ad>gParameterSpecificationuname:typeName:viewType:rectangle:helpString:name . .7(aax m(aaEnter a name for this Sound. +inputsound 57(``xm(baaThis is the Sound to be reverberated. For a stereo reverb, feed this same input into a EuverbLeft and rejoin the two halves in a ChannelJoin, a Timeline, or one of the multichannel output Sounds. +CutoffhotScalevalue7(bc``(axmA number between 0 and 1 indicating the cutoff frequency of a low pass filter on the reverberated signal. +Direct < =7(aaxm(bcwmAmount of direct signal that is mixed in with the reverberated signal. +diffusion < =7(bcxm(awmValue between 0 and 1 controlling the amount of delay between left and right channels of reverb. +Reverb < =7(baxm(aawmAmount of reverberated signal that is mixed with the direct signal. +0 < =7(aa``(bcxmValue between 0 and 1 controlling the decay time of the reverb (corresponding to a range of 0.1 s to 10 s). Use this along with EuverbLeft (on the same input) to create a stereo reverb. Useful in the Timeline or in a multiple output Sound where left and right mono channels must be treated as Sounds (sometimes called "dual mono"). Rejoin the left and right using a ChannelJoin, the Timeline, or one of the multiple channel output Sounds. 6right s;a?*2DiskTrackMono/Alien threata2a6{ ma1`!{ m`a{ maa`)`1` :FunctionGenerator19 >(0.02 vmax: !KeyNumber) sGigasaurus:Kyma 4.5 Folder:Wavetables:Impulse Responses:ah` 5Waveshaper9 $! $ %>c````1Attenuator32 ( ( (`!`2`;`=Constant76`` %clicks +aaaa0&5%>a|`!7 * (1 - (1 repeatingRamp: 16 s))a#(1 )#(0.2)1#(0 0.01 0.01 0.02 0.03 0.05 0.08 0.13 0.21 0.33)B#(1 0 1 0 1 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 0 0 1) #(#( !Frequency 1000 500 750 ) )`a77>5/>a p58>``&`b`ax s(a);`ax s*a+;`ax s,a-;`ax s.a/;`ax s0a1;`ax s2a3;)*x  s4ba 0" %45x  s!ba 0" %#$x  s.ba 0; %<=x  s'ba 0. %/0:;ba1Attenuator292:: 05 %67x  s!ba 0( %)*x  s4baaa"8`?  >``aa>ad"8`0 @@@@@ 0ppaa>ad>f + . . . /Enter a name for this Sound. + # < = $Amount of direct signal that is mixed in with the reverberated signal. +0 < = 5Value between 0 and 1 controlling the decay time of the reverb (corresponding to a range of 0.1 s to 10 s). + 4 5 5 6This is the Sound to be reverberated. For a stereo reverb, feed this same input into a EuverbLeft and rejoin the two halves in a ChannelJoin, a Timeline, or one of the multichannel output Sounds. + / < = 0Amount of reverberated signal that is mixed with the direct signal. + ; < = >A number between 0 and 1 indicating the cutoff frequency of a low pass filter on the reverberated signal. Use this along with EuverbRight (on the same input) to create a stereo reverb. Useful in the Timeline or in a multiple output Sound where left and right mono channels must be treated as Sounds (sometimes called "dual mono"). Rejoin the left and right using a ChannelJoin, the Timeline, or one of the multiple channel output Sounds.6left s;a?*2 ?/ a ! 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'; " "*4.>i8. 5)3/ <07>d$Frequency`a!a//qb5`ahtn`aa<! !6Mixer>a1Attenuator 5% :'$-`a!a/ac >c>{yyyyyyyyyyyyyyyyyyyyyy tzyew``a62p$;`a!a/ %!"aaaa8+zq`ga%&>h6-7;50 66>h21# *$(( />a>d5htnac #c*``a;s|eGigasaurus:Kyma 4.5 Folder:Wavetables:Impulse Responses:ahhhhhhh! $ %*$#`a!a/.ac (c*``a6aa.aa/`g%>a)&>c>i-6-7;50 66>i621# *$(( />d$?`a!a/.ac5`ahtnx }aa<! !6Mixer>a1Attenuator 5% :=$-`a!a/qd >d>{ccccccccccccccccccccccgcg tm``a62w$;`a!a/ %!;aaaa8+zq`ga%&>h=45)6 /6;>h #=$ <#<:">a>d5htnqd #d'``a;s|eGigasaurus:Kyma 4.5 Folder:Wavetables:Impulse Responses:FilteredPulse! $ %=$#`a!a/+qd (d'``a3aa+aa,`g%>a&&>c>i*=45)6 /6;>i3 #=$ <#<:">d$?`a!a/+qd5`ahtnx aa<+ +6Mixer>a1Attenuator 5% :/$-`a!a/ae >e>{zzzzzzzzzzzzzzzzzzzzzzzvz d x``a62v$;`a!a/ %+,aaaa8+zq`ga67>h =/) )<(#0>h*) 0%!#=<>a>d5htnae #e$``a;s|eGigasaurus:Kyma 4.5 Folder:Wavetables:Impulse Responses:oo! $ %2$#`a!a/(ae (e$``a0aa(aa)`g6>a#7>c>i' =/) )<(#0>i0*) 0%!#=<>d$?`a!a/(ae5`ahtn`aaaSwitches turn stages on or off. 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!>b$#`a!a/ 1qg (``aaa>b$4`a!a/ 1qg?`aaaaa&85zq*!,/ ?3118 v5zq8;9j!a```a*aa6-*b<0 <2 26Mixer>a2,1962*b!$*b9'()x s* a$-`a!a/ai >i>{yyyyyyyyyyyyyyyyyyyyyy`zlgi``a`,/,1*4$i)`a!a/ %2+..a;>*b1468 v7 v5bow sa=?$-`a!a/7ah >`>{}}}}}}}}}}}}}}}}}}}}}}}}}a~``a85zq8%=(+7%4a`a72 ga2 ha7*b<;a%!$%`a!=`a&7*b<;`%&a`ah:8% a`ahaa!">h$;`a!a/ah #`<``a;5:;51;5=;5$;5$;5:;5'$>a>b?aai9i.``a5aa4:i2g:aa18a4:i2g=a+?4$i)`a!a/3ai*i.``a !:#4:i%o%;&`!9/01`2 `a-```aa!9456`7 } m-```aaaabb..3a4=>1!>a-">c>i$;`a!a/3ai #``a56789:;<>b$#`a!a/3ai (``aaa>b$4`a!a/3ai?`aaaaa&85zq*!,/!3118 v5zq8;9j!a```a*aaaa7 Each MIDI key down triggers a randomly ordered arpeggio based on that pitch. !Fader1 through !Fader7 alter the intervals in the arpeggio. !BPM controls tempo of the arpeggio. The best kinds of inputs to use are ones that are triggered by MIDI !KeyDown, and controlled by !KeyVelocity and !KeyPitch.``=```` n`f`8>;`">Sequencer-KBD rand Arpeggiator*e6,16"(rm>`+8( ya. %6Sequencer-KBD Arpeggiator;c?$>r,TwoFormantFilterCascade,first filter'Noiseuw0 #5 9>`0)5/>a1jaa00 #5 9>`5!>a4g0)5/>a1taa0 #5 9>`0)5/>a1ea00 #5 9>`5!>a4g0)5/>a1ja`;PitchedNoise>b'+env00Attack5 >aao5 #>`00 +5 #>`5!>a6{ m! ( >`6FilteredNoise KBD>b11attack :attack >0095->a4p58>`ahhhhhhh0 (5/>a{ m0 (5/>a{ m((`+`+ar000&5<>`5 #>`5/>a{ m000&5<>`5 #>`5/>ah! ( >`'`)`)`4`?*$?"$!(y t*m9=`ca```ba`'abAttack/2;`$~;`a!a=aa8l>{zzzzzzzzzzzzzzzzzzzzzztje`s``a+;f?tenser``?glockish``?metalx i?pattern``?-x i?2,4,7,11,16,17,21``l`a`!9=`ce```bc`'abInterval26$pInterval2`a!a=aa Interval2c>{tjed`a+;f?t? t e?"ta?-t?%tcxx`!9=`cc```aa`'ab"6$ v"`a!a=aa&a>{vvvvvvvvvvvvvvvvvvvvvvplaza`a+;f?qq? co?"qq?-co?%qqa`p`!9=`ba`'ab`cc`aInterval76$ eInterval7`a!a=aa Interval7h>{ x x x x x x x x x x x x x x x x x x x x x x x m c~|`a+;f?`u? su?"t ?-cc?%`uhxx`!9=`ba```cc`'abBandwidth6$ a9`a!a=aa)m>{~~~~~~~~~~~~~~~~~~~~~~~~~ k`xo`a+;f?<`a?>x}? xe?"xo?-xe?%xom`a`!9=``````ca`'abAmp6$ r'`a!a=aa(j>{ j j j j j j j j j j j j j j j j j j j j j j j f | q |`a+;f?`a? `a?"w}?-v  {?%w}j`a`!9=`cg````a`'abInterval46$uInterval4`a!a=aa Interval4e>{ i i i i i i i i i i i i i i i i i i i i i i i~tog`a+;f?s? r?"`u?-s?%sexx`!9=`aa```ce`'abInterval16$ wInterval1`a!a=aa Interval1b>{~ujdt`a+;f?s? su?"sa?-s?%sbxx`!9=`bc```cg`'abInterval36${Interval3`a!a=aa Interval3d>{ d d d d d d d d d d d d d d d d d d d d d d dyojx`a+;f?t? t c?"bc?-s?%tdxx`!9=`cc`'ab`aa`aLegato6$x9`a!a=aa +k>{ x x x x x x x x x x x x x x x x x x x x x x x t j s`a+;f?wk? xm?"x y?-v a?%wkk`a`!9=````'ab`ca`aInterval56$ zInterval5`a!a=aa Interval5f>{ n n n n n n n n n n n n n n n n n n n n n n n cyt}`a+;f?t? s o?"ai?-t?%tfxx`!9=`ca`'ab`ba`aInterval66$sInterval6`a!a=aa Interval6g>{ s s s s s s s s s s s s s s s s s s s s s s s h~ys`a+;f?s? t k?"`u?-t?%sgxx`!9=`````a`aPitchBend6$ d.`a!q/q0a>{ q q q q q q q q q q q q q q q q q q q q q q q m c xi`a2;a?-`a`a`!%6Sequencer-KBD Arpeggiator*`(}d>`$99 >a0&5%>abo`gh#(0.25)#(0.9)#(!KeyNumber {!KeyNumber + !Interval1} {!KeyNumber + !Interval2} {!KeyNumber + !Interval3} {!KeyNumber + !Interval4} {!KeyNumber + !Interval5} {!KeyNumber + !Interval6} {!KeyNumber + !Interval7})#(1)#(#( !nothing 1000 500 750 ) )(p.=6Live input ctrl BPM of resynthesis;c?$>n26GenericSourceSample;a?"$'(nn*`- 3GenericSourceSample>` ;>` +Ranasaurus:Desktop Folder:Kyma 5:Samples 3rd party:Drum Tools:ride cymbals:cymbal f 1 bpm: !BPM2a6cadefaultv<610 ms delay;b?*=?"$(nm(ln*`-/2;`10 ms delay>`(bm>` =a`14 msaPrivate!r26AmplitudeFollower146;b?*2GenericSource Mono Disk/bucket2a2a6{ madefault * !Rate?"$'(mi*`-/2;`AmplitudeFollower146>`(cm>`AverageAbsnname:input:timeConstant:scale:AmplitudeFollower=6} oLiveAmptt`Thresholdnname:input:threshold:hysteresis:6Threshold13;a?"$'(nn*`-/2;`Threshold13>`(dm>`? 0.2 * 0.1 0.2 * 0.01`(6SOS track BPM;a?"$'(nn*`-/2;`SOS track BPM>`(dm>` '(( L) durationBetweenTriggers) * 8 s;a?c;1`1`bass and drum110 s256bass and drum110 s256```r` ' L triggerEvery: 8;a?a;`aa `4`26Live input ctrl BPM of resynth;b?*=?"$(vv(ln*b9=|```x`b`"/2;`$"`a!a=aa&a>{ttttttttttttttttttttttnjxuqq`a+;b?slowrq?-qqa`p`!#'a`  `=resynth(60;a?"$'4*`-6SOS track BPM>`:>`687aEventEqualdchash left right rAsLogicValueEventdbhash event b%b<6 ;a?"$'$*`-&Threshold13>`*>`26!;b?*2%/&a'(adefault * !Rate?"$',*`-.AmplitudeFollower146>`2>`5826?;a?"$'#*`- 3GenericSourceSample>` ;>` +Ranasaurus:Desktop Folder:Kyma 5:Samples 3rd party:Drum Tools:ride cymbals:cymbal f51:0EventRampRepeatingddhash left right address ;a872$"`a!a=aa&a>{jjjjjjjjjjjjjjjjjjjjjjdzuoj`a;ao| aa8158!d 9b2a6cadefault6} o$'`a!a=aa(b>{ssssssssssssssssssssssmcx e~`att 0.2 * 0.1 0.2 * 0.01a`a2 pra2}sa7n!r1b407a*c< f5{$ qTime`a!/ TimingClock`>{}}}}}}}}}}}}}}}}}}}}}}}}}v``a2 jta1<{9=11h !"#```r`7*c<;h2ka7-SignEventdbhash event %5a`a2la;70+<'*+7+!'*+7:015#!:2maaa`aa.`1 ramp: (!BPM bpm s * 8)-aaa`?*=?"$!(ln*c9=````'ad`ca`a"46+;b?:rq?-qqa`p`!9=`ca`'ad`ba`aLiveAmp/2;`$LiveAmp`a!a=aa:b>{}}}}}}}}}}}}}}}}}}}}}}|s fbkw a`a+;a?-w ab`a`!#'a`  `=6Annotation;a?"$!0*c93"4$"`a!a=aa&a7`a+;b?:rq?-qqa`p`!99;<$?`a!a=aa:b `a+;a?-w ab`a`!#$=```````a`'adAdjusts the rate of resynthesis to match the live input. Every time the input amplitude exceeds a threshold, it is treated as a beat. In the example, the input is a cymbal sample that is triggered by !BPM. If the resynthesis does not "hear" the beat, it may be necessary to adjust !LiveAmp either higher or lower. The best kinds of inputs to use would be those that have a simple and strong beat (such as clapping into the microphone). (It can sometimes take 8 beats for the resynthesis to latch on to the beat making it sound a little slow-witted at times)./2;`;`-<Live input ctrl BPM of resynthesis*f$/0*b93"4-+;b?:rq?-qqa`p`!#=$#%;`-4Live input ctrl BPM of resynth*e$'4*`-6SOS track BPM>`:>`$'$*`-&Threshold13>`*>`$',*`-.AmplitudeFollower146>`2>`$'#*`- 3GenericSourceSample>` ;>`$45*`-79>`;>`*>`(-27<(pd>`26*;b?*26?;a?"7 +( 1 bpm: !BPM*+adefault?">aa(60;a?"(687n- w1v%v<6 ;a?"-26!;b?*2%/&a'(adefault * !Rate?"2582( +(51:0:;a872-;ao| }aa8158-d )b*+a,92tt 0.2 * 0.1 0.2 * 0.01a`a2 afa2 nga7w! w1v757n*c< d5 j$ q:`a!/;`>{}}}}}}}}}}}}}}}}}}}}}}}}}``a2 {ma6< j> 66h !"#```r`7*c<;h2 ya7-'%8a`a2 za;70+<'*+7+!'*+7:015&!:2 {aaa!aaa8``68/2;`;`-<<*f.3#+"3!>`(8( x i.=6Live pch ctrl MotorMix buttons;d?$>v:Oscillator763 aSine;=Constant``!ba```EventSourcenname:generatedEvent:value:elt?label '( L: 10) * 5;a?b<6FrequencyDetectorGate22;a?*AudioInputnname:channel1:channel2:channel3:channel4:channel5:channel6:channel7:channel8:Input Channel 1_218EnergyAtAFrequency:6Energy at 3 c;a?"$'(i y*`-/2;`Energy at 3 c>`(m>`SqrtMagnitude~name:input:sqrtMagAnalysisFilternname:input:fundamental:harmonic:Energy at a Frequency 1lpf3InputSound% ?Frequency`a`dZ?Frequency hz / ((1 + (1.0/(((2.0 raisedTo: (?HalfstepResolution / 12.0)) - 1)))) ceiling)H(1 + (1.0/(((2.0 raisedTo: (?HalfstepResolution / 12.0)) - 1)))) ceiling?AttackTime?ReleaseTimea"8`@@    ! !@A@``aa? #l~{~{~{``````>ddddfbaad"8` 5!$ d@@D@@8ppaa? #lcp````>ddddfbaad>f + . . .7(aax m(aaEnter a name for this Sound. +ReleaseTimehotTime =7(ba``(aaw{Release time of the envelope once the Frequency is no longer present. +HalfstepResolutioninteger =7(baw{(aax  s An indication of the bandwidth or tolerance. The integer number of halfsteps above or below the indicated Frequency that should still be detected. In other words, the number of halfsteps of error you can tolerate. No units are required (i.e. no need to indicate hz or nn as these are assumed to be halfsteps). +!! =7(`w{(bax  sThis is the Frequency you are testing for. Whenever the input contains some energy at this frequency, the output of EnergyAtAFrequency will increase. +AttackTime 2 =7(```(baw{Rise time for the envelope once the frequency is detected. +InputSound 5 57(aa`(av sIf this InputSound has any energy at the specified Frequency, the output of the EnergyAtFrequency will increase.An amplitude envelope showing how much of the InputSound's energy is at the specified Frequency. Best used as an amplitude envelope or, through a threshold, as a trigger.6EnergyAtAFrequency;a?* 56ba?freq6}e16live;a?*2live +kurd2a2`6}eadefault =aa Threshold0#5/>abagMusicNoname:inputs:script:left:right:retrograde:reverse:6create detectors for 3 a thru 4 g;b?* 8?"$'(yq*h9=````m`c`a/2;`$a`a!a=aaab>{{{{{{{{{{{{{{{{{{{{{{{zqfe`a +;b?aa?-``b`a`!9={``` h`c`c6$c`a!a=aacd>{iiiiiiiiiiiiiiiiiiiiiihtmh`a +;b?>aa?-``d`a`!9=m```{`c`b6$b`a!a=aabe>{tje}`a +;b?>aa?-``e`a`!9= v```c`c`e6$e`a!a=aaef>{ d d d d d d d d d d d d d d d d d d d d d d dyoj`a +;b?>aa?-``f`a`!9= h``` v`c`d6$d`a!a=aadg>{ i i i i i i i i i i i i i i i i i i i i i i i~to t`a +;b?>aa?-``g`a`!9=p```~`c`g6$g`a!a=aagi>{ s s s s s s s s s s s s s s s s s s s s s s s h~y``a +;b?>aa?-``i`a`!9=c```p`c`f6$f`a!a=aafh>{ n n n n n n n n n n n n n n n n n n n n n n n cyt |`a +;b?>aa?-``h`a`!9=``c`{` f`Threshold/2;`$=`a!a=aa#c>{bbbbbbbbbbbbbbbbbbbbbbaxmfw`a+;a?-pqc`a`!-?create detectors for 3 a thru 4 g>`(om>`*b % 8!| pchArray nnArray | pchArray := #('a' 'b' 'c' 'd' 'e' 'f' 'g'). nnArray := #(57 59 60 62 64 65 67). 1 to: 7 do: [ :p | elt start: 0 s freq: (nnArray at: p) nn hz label: (pchArray at: (p)) asHotValue]. live start: 0 s.&```a66Mixer499;b?*'?"$(|d(y t*h94568 +;b?>aa?-``b`a`!9!"6# +;b?>aa?-``d`a`!9+,6- +;b?>aa?-``e`a`!95667 +;b?>aa?-``f`a`!9? 6! +;b?>aa?-``g`a`!9)*6+ +;b?>aa?-``i`a`!93465 +;b?>aa?-``h`a`!9=>?!+;a?-pqc`a`!-/2;`Mixer499>`(}d>`*b'16Attenuator163;a?*'Sample,#1`aCKyma``a`a2a2aa6`6aa = Attenuation+aa` 8{'6short 3 a;a?* ? ?6`6c`OverlappingSumoname:inputs:overlapTime:left:right:retrograde:reverse:6live pch ctrl Lights on MotMix;b?* 8?"$'(mv*h94568 +<b`a`!9!"6# +'d`a`!9+,6- +1e`a`!95667 +;f`a`!9? 6! +%g`a`!9)*6+ +/i`a`!93465 +9h`a`!9=>?!+#c`a`!-/2;`live pch ctrl Lights on MotMix*b0$' #*`- %untitled layout>` )>`(cm>`*b,-6`aa` =` :b 0a=`?* =?"$4(y t*j9=````'ae`ca`'be568 +;b?>aa?-``b`a`!9=`ba`'ae`cc`'be"6# +;b?>aa?-``d`a`!9=`ca`'ae`ba`'be,6- +;b?>aa?-``e`a`!9=`aa`'ae`ce`'be667 +;b?>aa?-`af`a`!9=`cc`'ae`aa`'be 6! +;b?>aa?-``g`a`!9=`bc`'ae`cg`'be*6+ +;b?>aa?-``i`a`!9=`ce`'ae`bc`'be465 +;b?>aa?-`ah`a`!9=`ca`'be`ba`a>?!+;a?-pqc`a`!9=````'be`ca`aAttenuation/2;`$Attenuation`a!a=aa+a>{ttttttttttttttttttttttnjxv`a+;a?-aaa`a`!#'b`  `=6Annotation;b?* =?57(fp(nr47*b,66/;b?*'?"3*b6+*h & )88%< 1 ; 0 4a1l g 7 8!8!baa`je & )-8%< 1 ; 0 4a1l i 7 8!8!baa`je & )#8%< 1 ; 0 4a1l  k 7 8!8!baa`je & )!8%< 1 ; 0 4a1l   { 7 8!8!baa`je & )78%< 1 ; 0 4a1l  y 7 8!8!baa`je & )58%< 1 ; 0 4a1k k 7 8!8!baa`je & )+8%< 1 ; 0 4a1l } 7 8!8!baa`je 8``1> =55aa3aa First you hear a 3 second oscillator to give you the pitch of 3 a. After that, you can sing different pitches and the corresponding buttons on the virtual control surface will be depressed if you manage to hit the pitch. If you have a MotorMix, the corresponding light will turn on. Threshold controls the sensitivity of the buttons.``=```````a`'ae!/2;`;`-3Live pch ctrl MotorMix buttons*d<30 "(kv>`?5"3 First you hear a 3 second oscillator to give you the pitch of 3 a. After that, you can sing different pitches and the corresponding buttons on the virtual control surface will be depressed if you manage to hit the pitch. If you have a MotorMix, the corresponding light will turn on. Threshold controls the sensitivity of the buttons. Works best on monophonic inputs (such as your voice through the microphone).(z k.16Granular classic no spectrum display;b?*?"$'(mo*h9=`ba```cc`aDJitter/2;`$nDurJitter`a!a=aa DurJitterf>{||||||||||||||||||~~~~~~wsm`a+;g?noise like``?)`a?bpf noisexw?LPF`a?band`a?isolated blipsoa?-aaf`a`!9=`ca```ba`aDensity;$lDensity`a!a=aaDensityb>{cccccccccccccccccc}}}}}}{w}`a+;g?#x a?)w w?&u i?(vu?*vu?,uu?-aab`a`!9=`bc```cg`aPJitter;$ qPanJitter`a!a=aa PanJitterc>{hhhhhhhhhhhhhhhhhhddddddb~f`a+;g?#`a?)`a?&`a?(`a?*`a?,`a?-aac`a`!9=`aa```ce`aFrequency;$MIDIController19`a!a=aa5t>{rrrrrrrrrrrrrrrrrrppppppqwhm  }`a+;g?#dq?)dq?&m  }?(p c?*r ?,s{?-m  wt` p`!9=`cc```aa`aFJitter;$hFreqJitter`a!a=aa FreqJittere>{wwwwwwwwwwwwwwwwwwwwwwwwpl|`a+;g?#`a?)`a?&wo?(x o?*uu?,`a?-aae`a`!9=`ce```bc`aGrainDur;$fGrainDur`a!a=aaGrainDurg>{aaaaaaaaaaaaaaaaaaeeeeee~zv`a+;g?#ww?)xo?&ua?(vg?*vg?,ww?-aag`a`!9=``````ca`aAmp;$ r'`a!a=aa(d>{mmmmmmmmmmmmmmmmmmkkkkkkieq`a+;g?#x  ?)`a?&v q?(ta?*w{?,r?-x}d`a`!9=`cg````a`aVol/2;`$r<`a!a=aa%a>{~~~~~~~~~~~~~~~~~~vvvvvvtpq`a+;f?#ua?)`a?&xy?*u?,r?-ua`a`!&(Granular classic no spectrum display*b$'(fo*f9=``````w     u`aDensity/2;`1+;a?whistling in the darkaab`a`!9=`aa```u     u`aFrequency;$ tMIDIController73`a!a(ad5j>{zzzzzzzzzzzzzzzzzzzzzzzzzzz`a+;a??`j` p`!9=`t     u```u`aPanJitter; 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A mono mix of its outputs goes through the reverberation. The direct sound retains any left right stereo separation it had originally. +# < =7(ba``(aaxmOverall level of right channel + ) < =7(bawm(aaw sDelay between left and right reverberation. +LPFCut < =7(aaxm(bcwmRelative strength of the low pass filter on the reverberated signal. Ranging from 0 (for low pass) up to 1 (for no low pass filtering.) + # < =7(aawm(bcw sStrength of the direct signal. + / < =7(bcxm(awmStrength of the reverberated signal.Reverb designed by Kyma user Eugenio Giordani.6Effects-EUverb;c?$>b2DiskTrackMono/Ranasaurus:Desktop Folder:Kyma 5:Samples:Music loops:harp loops:hrp loop2a2a6{ ma1``?*6?"$(nm(e y*e9=`ca```ba`aDelay/2;`$%`a!a=aaDelayo>{llllllllllllllllllllllllim aa`a+;b?distantxi?-x wo`a`!9=``````ca`aDecay%$0`a!a=aa >a>{vvvvvvvvvvvvvvvvvvvvvvvvvvzaa`a+;b?,x q?-x qa`a`!9=`cc```aa`aLPFCut%$!`a!a=aaLPFCutc>{xxxxxxxxxxxxxxxxxxxxxxxxnrvaa`a+;b?,w e?-wac`a`!9=`aa```ce`aReverb%$ /`a!a=aaReverbd>{}}}}}}}}}}}}}}}}}}}}}}}}s`}aa`a+;b?,x?-x ed`a`!9=`ba```cc`aDirect%$ #`a!a=aaDirectb>{nnnnnnnnnnnnnnnnnnnnnnnnhmga`a+;b?,xm?-`ab`a`!,%Effects-EUverb*`({m>`a >(z m6aa:,#(}t.=6Effects-Formnt mod resynth;c?$>n26Gain83;a?*6OscillatorBank4``SineHarmonicAnalysispname:input:lowestAnalyzedFreq:ampScale:freqScale:response:harmonic:unpitchedOnly:unpitchedThreshold:trackedHarmonic:lowFreq:highFreq:initFreq:fundamentalOnly:nonharmonic analysis2GenericSource31/Ranasaurus:Desktop Folder:Kyma 5:Samples:Speech:Alien threata2a6gca1`above 2F (87 hz)a '(!FreqMod *  L) + !FmntShift;a?m:PeakDetector22Gain7*jj1 ms0Release5 #>`abetterTime`1 pa1l1p3 e`1Attenuator"Gain%bb`5`*`%`"`#`7`?**?"$(nl(| ~*e9=`cc`'ad`aa`aRelease/2;`$iMIDIController25`a!a=aa;z>{oooooooooooooooooooooooor spw`a+;e?unfocusw?manlyxg?shaky formantx q?callous voicete?-v sz`a`!9=`ca`'ad`ba`aFreqMod0$FreqMod`a!a=aaFreqModc>{jjjjjjjjjjjjjjjjjjjjjjjjjqk`a+;e?7v m?9no?;vs?=`a?-v mc`a`!9=````'ad`ca`aFmntShift0$FmntShift`a!a=aa FmntShiftb>{cccccccccccccccccccccccccjd`a+;e?7xa?9vi?;xc?=ws?-xab`a`!9=`ba`'ad`cc`aGain0$Gain`a!a=aa%a>{vvvvvvvvvvvvvvvvvvvvvvvvvv{`a+;e?7xq?9wu?;x?=w k?-x aa`a`!#'a`  `=6Annotation;a?**2>1$6#``$&)*0a;2#%:67962aa`a1>`?a !"`??bbAmp of input controls formant position.``=```````a`'ad8/2;`;`70Effects-Formnt mod resynth*`(rm>`=8(s.66Effects-Unvoiced only resynth;c?$>d&LiveSpectralAnalysis2GenericSource57 +Ranasaurus:Desktop Folder:Kyma 5:Samples:Speech:Virtual DEFa2a6gca1`above 3F (173 hz)aabetterFreqa0Thresh5/>a1`a1l1t4y``,`?*,?"$'(fk*a9=``````ca`aThresh/2;`$cThresh`a!a=aa5a>{vvvvvvvvvvvvvvvvvvvvvvvvcnv`a+;a?-q {a`a`!-$Effects-Unvoiced only resynth*`(|m>`drSine*(pt.66Granular sample dog&siren;a?"$'(| ~*b9=``````ca`aMorph/2;`$9`a!a=aa:x>{cccccccccccccccccccccccgccxaa`a+;a?-aax`a`!9=`ca```ba`aStretch=${Stretch`a!a=aaStretcha>{~~~~~~~~~~~~~~~~~~vvvvvvtpv`a+;a?-aaa`a`!-=Granular sample dog&siren*b$'( o x*b9=`aa````a`aStretch/2;`&+;a?-aaa`a`!9=``````aa`aMorph4?+;a?-xsx`a`!-4cloud1>`(em>`$'(| ~*b9=`aa````a`aStretch/2;`&+;a?-aaa`a`!9=``````aa`a<'?+;a?-``x`a`!-'cloud2>`(rm>`(rm>`*bSampleCloudnname:sample:grainEnv:maxGrains:amplitude:density:grainDur:grainDurJitter:pan:panJitter:seed:fromMemoryWriter:timeIndex:timeIndexJitter:6cloud1;a?".Ranasaurus:Desktop Folder:Kyma 5 Demo 99:Wavetables:Samples:EDG:sirengaussiany#((!Morph * 0.5) ** 2) normCos * 0.500a5->a0:5**>aaa5/>aaa6zi0.75 - ((!Morph - 0.5) abs)aa`z m&1 repeatingFullRamp: (!Stretch * 30 s)0.5 - ((!Morph - 0.5) abs) / 21=TimeOffset4876cloud2;a?"!Ranasaurus:Desktop Folder:Kyma 5 Demo 99:Wavetables:Samples:EDG:werewolfgaussiany$((!Morph * 0.5) ** 2) normSin * 0.6500:5'>aaa5/>aaa6zi0.75 - ((!Morph - 0.5) abs)aa`aa&1 repeatingFullRamp: (!Stretch * 30 s)0.5 - ((!Morph - 0.5) abs) / 216ziaa( p.#6Freq/Time Scaling Vocoder;c?$>h,Kurtdefault * (!Rate * 2)aRanasaurus:Desktop Folder:Kyma 5:Samples:Speech:Alien threat`a`a2a6gca`!6NoiseGate75;b?*,?"$'(t `*a9=b```d`t`Rate/2;`$lMIDIController65`a!a(ab-b>{ccccccccccccccccccccccccccc`a+;a?-aab`a`!-/2;`Sample>`(jm>`,,%'aj}e6}e6z m6}ew s`36Oscillator104;a?"$'(t `*a9=````k`r`Frequency/2;`$ t$`a!a(aa5j>{|||||||||||||||||||||||||||`a+;a?-s{j` p`!-/2;`Oscillator>`(jm>`0558>`Buzz064;'modulator: +1w=;'Constant= /`6`1 day`!9ADSR6{ m6z mbc6a `aa```6`1 dayj!a```!6Compressor74;b?*2?"$'(t `*a9=````f`t`=/2;`$l !`a!a(aa-b "`a+;a?-aab`a`!-/2;`Compressor74>`(jm>`22 ;e}e6}e6{ m6}eb`?*?"$'(t `*d9=~``` s`t`Volume/2;`$6`a!a=aa7h>{boooooooooooooooooooooooo uea`a+;b?high data rate`a?-`ah`a`!9=````u`t`Bandwidth/2;`$9`a!a=aa)m>{{pppppppppppppppppppppppp y ~x q`a+;b? !x q?-aam`a`!9=j```~`t`Rate &$,`a!a=aa-y>{q}}}}}}}}}}}}}}}}}}}}}}}}k{uw`a+;b? !uw?-aay`a`!9=u```j`t`Frequency &$0`a!a=aa5t>{jeeeeeeeeeeeeeeeeeeeeeeeeensi`a+;b? !si?-t at` p`! ! &Vocoder*b 48(ud>` / :6}evv7z m4x4ga0-5/>ab)4p1bbc(ht.=6Effects-Doppler shift;d?$>n6Mixer206*b2GenericSource5 +Ranasaurus:Desktop Folder:Kyma 5:Samples 3rd party:Sounds Good:On the Jazz Tip:bass and drum110a2a6gca1`26GenericSourceSample;a?"$(ug( j*`-/2;`GenericSourceSample*`(|g>` +Ranasaurus:Desktop Folder:Kyma 5:Samples 3rd party:EDG:car peel 3a2a6cadefaultaab<RIGHT: phs delay, intensity diff <6doppler shifter;a?"$'(p x*`-/2;`doppler shifter>`(fm>` 1 1 - ((1 - (2 * (1 - !Pan))) abs)`6ym&1 - (1 - ((1 - (2 * (1 - !Pan))) abs))Private!2(0.5 * (1 - !Pan)) normSin* (0.5 * (!Pan)) normSin`800 usec3(0.5 * (1 - !Pan)) normCos * (0.5 * (!Pan)) normCosPrivate!`{wwwwwwwwwwwwwwwwwwwwwwwlllr``a?;a?-aaw`a`!- 8Effects-Doppler shift*b 4 ?(xm>`aa %`a -aa` /| :` 4`?* 1?"$(rw(j~*b9 6 7 8 :?;a?-``w`a`!#'a`  `=6Annotation;b?* 1?57(hv(px2 ,aa< & < 0 1:0+:8:0 :abaa` >:+:8:0 :aba`  !228 :aa2:8:0 :aaaaa` (22:8 :aaaa28:0 :aaa *!`a< . :22:8:0 :aaaaa2:8 :aaaa` "228:0 :aaa28 :aa $!aaMove Pan from left to right. The position of Pan and the speed with which you move the fader controls the Doppler shift on the input.``=````u`l` )/2;`;`-/2;`Effects-Doppler shift*c 1 4 ?(dg>`?5 5 + )(vu. %6Sequencer-CHANGE VCS LAYOUT;c?$>r2phatness6Mixer25*cKeyMappedMultiSampleename:frequency:gate:velocity:firstSample:loFreq:hiFreq:mapping:reverse:attackTime:releaseTime:scale:loop:fromDisk:noTransposition:KeyMappedMultiSample8 ' L * 127 nn;a?a:filtPch=pch00*5removeUnits>`5%>a`6{ m6xma >aGigasaurus:Kyma 4.5 Folder:Wavetables:Waveforms:saws:Saw00014`4ByPitchRange10 ms6| ma #KeyMappedMultiSample8 ' L * 127 nn + 0.05 nn;a?a + >aGigasaurus:Kyma 4.5 Folder:Wavetables:Waveforms:saws:Saw00014`4 ;10 ms6| ma #KeyMappedMultiSample8 ' L * 127 nn + 0.1 nn;a?a + >aGigasaurus:Kyma 4.5 Folder:Wavetables:Waveforms:saws:Saw00014`4 ;10 ms6| ma77jj` )` ?` 1Filter12 =% ' L * ((1 repeatingRamp: 8.5 s) * 5000 hz) + 500 hz;a?a9ADSR410 ms10 msaa6e  ( >`aa :x  sd` :` "` +` >` -`?* ??"$(`v(}n*n9=`` a`j`b`Volume/2;`$6`a!a=aa7h>{jjjjjjjjjjjjjjjjjjjjjjjjjjhwa`a+;a?-wah`a`!9= h`a`q` a`NN2 ($NN2`a!a=aaNN2f>{iiiiiiiiiiiiiiiiiiiiiiiiii~`}`a+;a?-`}flh`!9=``a`j` a`Dur1 ($Dur1`a!a=aaDur1a>{aaaaaaaaaaaaaaaaaaaaaaaaaa~aa`a+;a?-aaa`aca!9=q`a`{` a`NN3 ($NN3`a!a=aaNN3g>{bbbbbbbbbbbbbbbbbbbbbbbbbbaa`a+;a?-aglh`!9={`a`e` a`Rate ($,`a!a=aa-y>{ppppppppppppppppppppppppppia`a+;a?-`ay`a`!9=j`a`t` a`Dur2 ($Dur2`a!a=aaDur2b>{qqqqqqqqqqqqqqqqqqqqqqqqqqjba`a+;a?-bab`aca!9=t`a` ~` a`Dur3 ($Dur3`a!a=aaDur3c>{vvvvvvvvvvvvvvvvvvvvvvvvvvoaa`a+;a?-aac`aca!9= ~`a` h` a`NN1 ($NN1`a!a=aaNN1e>{bbbbbbbbbbbbbbbbbbbbbbbbbbu``a+;a?-`elh`!9=t`k` ~`a`sw03/2;`$*`aa!a-aa+b>{}}}}}}}}}}}}}}}}}}}}}}}}}}|a`a0;a?-`ab`aa!9=````j`k`DutyCycle .$DutyCycle`a!a=aa DutyCycled>{{{{{{{{{{{{{{{{{{{{{{{{{{{faa`a%;a?-aad`a`!9=``k`j`a`sw01 .$/`aa!a-aa0`>{ooooooooooooooooooooooooooja`a0;a?-`a``aa!9=j`k`t`a`sw02 .$ 6`aa!a-aa 7a>{vvvvvvvvvvvvvvvvvvvvvvvvvvsa`a0;a?-`aa`aa!9=e`a`o` a`Start .$.`a!a=aa/{>{lllllllllllllllllllllllllle``a+;a?-``{`a`!9=`````a`a& .$ d.`a!q/q0a>{qqqqqqqqqqqqqqqqqqqqqqqqqq l``a2;a?-`a`a`!- .Sequencer*`(sm>` 4aaaa-/ha#(!Dur1 !Dur2 !Dur3)#(!DutyCycle !DutyCycle)#(!NN1 !NN2 !NN3)#(!sw01 !sw02 !sw03)#(#(!Index 1))(rb.MIDIVoiceqname:input:left:right:channel:source:midiFile:polyphony:lowPitch:highPitch:script:shared:6Effects-Harmonic resonator (KBD);d?$>d7whispersNothing2Gaussian|aca6z m}eaa`ui`a` 06harmonic resonator KBD;b?* ,?"$(nm(}y*b9=`aa````a`aInputScale/2;`$vInputScale`a!a=aa InputScaleb>{cccccccccccccccccccccccccci`a+;a?-aab`a`!9=``````aa`aDecay >$x0`a!a=aa >a>{wwwwwwwwwwwwwwwwwwwwwwwwwwb`a+;a?-aaa`a`!-/2;`harmonic resonator KBD>`(sm>` ,0 #5 9>`00 >5 >a{ m5 #>``Private "`?* ,?"$ 8(gg*b9=``````ca`aDecay/2;` )+;c?sustainedw u?-aa?light bkgndra`a`!9=`ca```ba`aInputScale %  +;c? )xi?-aa? ,u wb`a`! ) %Effects-Harmonic resonator (KBD)*a 7(}m>`?57(h|(ph 1z mz m`)scribble.mide4`4!"self-similar example" | pitchShape durationShape shapingFunction selfSimMel | pitchShape := #(0 7 -12). durationShape := #({2/5} {1/5} {2/5}). shapingFunction := [:seq :count | (count = 0) ifTrue: [seq] ifFalse: [EventSequence events: ((1 to: pitchShape size) collect: [ :i | shapingFunction value: ((seq trsp: (pitchShape at: i)) dim: (durationShape at: i)) value: count - 1])]]. selfSimMel := shapingFunction value: (Note frequency: 4 c durationInBeats: 16) value: 4. self controller: !Volume setTo: 1 atTime: 0 s. selfSimMel playOnVoice: self onBeat: 0 bpm: 90. "1/f noise example" "| r t | r := OneOverF newForKymaWithSeed: 52 states: 128. t := 0. 100 timesRepeat: [ self keyDownAt: t s duration: (r next + 1) s frequency: ((r next * 36) rounded) nn velocity: r next. t := t + r next]. self controller: !Volume setTo: 0.5 atTime: 0 s. self controller: !Volume slideTo: 1 steps: 60 byTime: 60 s."&`( {s(``7(~f(umlargeIcon