![]() |
![]() ![]() ![]() ![]() ![]()
|
next newest topic | next oldest topic |
Author | Topic: tracking live performance (quasi score following) |
phillipm Member |
![]() ![]() ![]() I'm looking for ideas on how to have Kyma reliably follow a live musician during a performance. I have Kyma receiving and acting on a series of triggers via microphone input, so I had thought that "countTriggers" would be one method for Kyma to sort of keep track of where the performer was in the piece and when to do something different with the trigger info. But it turns out that for audio processing reasons I need the trigger thresholds low enough that I'll have an unpredictable number of "false" triggers which will not affect the processing, but *will* affect the trigger count. I can think of a couple of possible solutions, but I have no truly solid idea of the best path to pursue.
[smoothing] l asLogicValue gateWhen: ((([smoothing] L asLogicValue countTriggers) + 1) of: #(1 0 1 0 1 1 0 1) (In this case Kyma ignores triggers 2 4 and 7 ... but if a false trigger gets in there the rest of the performance is "off") Idea 2: I haven't experimented with durationOfGate, but that seems like it could be useful as part of the solution to this problem. (perhaps something like ... durationOfGate gr: 1 s) ??? My instinct is telling me to bite the bullet and start designing a "Master Trigger" scheme and figure out to superimpose it on all the tracks of the TimeLine that respond only to specific triggers. But many times a tiny bit of cryptic code will accomplish everything I need with one simple copy & paste. Any thoughts or input appreciated. [This message has been edited by phillipm (edited 26 July 2011).] IP: Logged |
All times are CT (US) | next newest topic | next oldest topic |
![]() ![]() |
This forum is provided solely for the support and edification of the customers of Symbolic Sound Corporation.