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Author | Topic: Replicator Basics | |
CharlieNorton Member |
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I am trying to learn a little more Repligator technique. As you can see from my patch I have a number of oscillators stacked together. I would like to know if there is a way rather than having a number of faders control the detune, I would like one master fader which would distribute a spread of values to the replicated oscillators. Something similar to work with pan would is also a goal. Thanks Charlie [This message has been edited by CharlieNorton (edited 22 February 2010).] IP: Logged | |
SSC Administrator |
![]() ![]() ![]() In the Frequency field of the Oscillator, you could use something like: !Frequency hz + (?VoiceNumber * !Spreadamount) hz Then add !Spreadamount to the DoNoChange field of the Replicator. This sounds amazing, btw! IP: Logged | |
CharlieNorton Member |
![]() ![]() ![]() Yup! I am with you, that does sound spectacular. Oscillator detune madness. I have just spent some time playing with sweeps to really high detune values! Many thanks Charlie IP: Logged | |
bruno Member |
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bruno Member |
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CharlieNorton Member |
![]() ![]() ![]() Hey Bruno! I have enjoyed rummaging your patches, they have provided some modulation inspiration... Splendid Charlie IP: Logged | |
CharlieNorton Member |
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Here is a keyboard version of el repligator patch. I am getting there with the ?VoiceNumber to provide integers to modulate with, I know the spread controls are a little over the top. Take note of spread amount glide and note portamento. It needs a filter setup next. Remember It is on Channel 2, Oh just a note to you Paca owners.... This patch is one replication away from not playing on my unexpanded Capy320. Thank the heavens for Cache Tracks! Obviously I would like to run it at 192 Killerhurtz to reduce the aliasing when you waz the extended range detune control... My kingdom for Moar DSP. Live Long and Modulate Charlie IP: Logged | |
SSC Administrator |
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Denis Goekdag Member |
![]() ![]() ![]() Good stuff, ladies & gentlemen, cheers ;-) "Spread" is a really convenient way of adjusting multiple parameters; I use it a lot in my work. Also very effective for clusters of bandpass filters ---- then modulate the spread with an envelope follower. Another similar thing I often do is a "Tilt" or "Slope" control, where for example the amplitude is divided by voicenumber (for a 1/f spectral slope in the case of harmonic series). The "Tilt"/"Slope" control will then interpolate between that and its inverse , giving unity across all bands in the middle position. IP: Logged | |
SeanFlannery Member |
![]() ![]() ![]() Just when you think 'I've got a handle on this... I know some things about Kyma...' someone comes along and blows your comfortable notions out of the water. (a' la livetuning.kym) oscilatorBank using live input as the wavetable, sheesh! The more I learn, the more I know, that I don't know much. thanks all, another really, really informative post. IP: Logged | |
RobSol Member |
![]() ![]() ![]() You are not alone Sean! ![]() IP: Logged | |
bruno Member |
![]() ![]() ![]() I am always overwhelmed, how you condense things down to a "simple" Sound and come up with this astonishing twists, dear Carla, which open so many doors!!! IP: Logged | |
CharlieNorton Member |
![]() ![]() ![]() WoW Plenty to digest there. I am having too much fun with the Livedetuning patch. Denis! Like the plan, not sure I am implementing he envelope follower correctly, be a star and knock up a little demo patch. Hehehe IP: Logged | |
CharlieNorton Member |
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It has been fun. From flanger/phasor, to delay line and then kinda granular sounding at points. Have not made too much effort with VCS and snapshots. Sorry. Charlie IP: Logged | |
Denis Goekdag Member |
![]() ![]() ![]() Hey Charlie, will knock up a patch once I figure out enough Smalltalk to actually port the "slope" and "tilt" concepts to Kyma (currently they're Reaktor patches...). Darn, I need a CPU upgrade for my head *grin* IP: Logged | |
CharlieNorton Member |
![]() ![]() ![]() Ok, I am tweaking my patch, and I am bored of hitting the latched gate control. Triggers and gate generation is something I have not spent too much time investigating. So, I turn to the expressions library, where, (would you believe it?!?) is something that pretty much suits the task. 1 bpm: ('drumstation140' sampleFileDuration s This however releases the gate at the end of the duration, I would like to know how to control when it releases the gate. Potentially after a certain number of loops. Many thanks for your thoughts Charlie IP: Logged | |
CharlieNorton Member |
![]() ![]() ![]() quote: Think this might be the starting thread.... mmmmm sustainBy: sustains trigger OOOo I think I got it!,unfortunately I have to go paint door frames for the wife before she chops me up. [This message has been edited by CharlieNorton (edited 08 March 2010).] IP: Logged | |
CharlieNorton Member |
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Now I have the loop retrig working, you can divide it down and as long as you choose even divisions it stays in time. Hurrah. - You have to update the file name in the gate box to update the loop length information. - is there a way around this? (feel free to point me at stuff to read) The loop end point modulation does not work if the loop length is set to maximum. ( ahh should just make these controls Bipolar.... I am pretty sure there must be other ways of dealing with the sustain issue a little more elegantly. 'Charlie stares at the 'FromMemoryWriter' check box on the Sample Looper'.- You don't say! All the best Charlie [This message has been edited by CharlieNorton (edited 08 March 2010).] IP: Logged | |
cristian_vogel Member |
![]() ![]() ![]() quote: I love pan dimensional design warps like this. It sounds like a chorus but in a completely new style. another great Kyma moment, simply achieving greatness for the mind and ears alike. [This message has been edited by cristian_vogel (edited 09 March 2010).] IP: Logged | |
bar|none Member |
![]() ![]() ![]() This is nice stuff. Thanks! IP: Logged | |
CharlieNorton Member |
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